Joyful Work

Those of you who enjoyed Magic Most Deadly will be happy to know that I am currently hard at work on revisions of the sequel (thus far, the working title of Magic in Disguise seems to be sticking). You might remember me posting here a few months back that I had finished the first draft? Now I’m filling it out, deepening it and padding it, putting events in their proper order, inserting clues (now that I know both the point of the crime and the criminal, two things I was clueless on when I started the first draft), creating a few red herrings, all that fun stuff.

I know some writers who dump everything into their first draft, and then spend subsequent drafts pruning, cutting away words and tightening it all up. That is not how I craft my stories. No, my first drafts are always the barest of bones (as a teen, I used to write my first drafts as scripts – just dialogue and a few terse “stage directions”), which then have to get filled out a little more in each draft. Right now my chapters stand at about 2500-3000 words each – I need to get them to 4000-4500 by the final draft. Whew!

It’s fun, though. And it’s fun to challenge myself by seeing if I can include enough background details in each scene to keep my beta readers from saying “more details! We need more details!” (I’ve never yet managed it, but it’s a goal). Today, for example, I spent some time figuring out the layout and general decor of Len’s London flat. While the readers of Magic in Disguise won’t necessarily need to know that the flat has two bedrooms, and the exact location of the cloakroom, or what the color scheme is of the dining room, having all that information at my fingertips will make it easier to sneak in subtle details to fill out the story and make it more vivid.

More vivid! That’s what I hope for with all my stories – that they live. I have a hard time re-reading Magic Most Deadly these days – my fingers itch to start editing, to fix all the flaws I see in it now, to make all these improvements. But one thing that does still satisfy me with it is how alive it is. Flawed though it might be (hey, it’s a debut novel), creaky though it may be in places, it does live, and that gives me great joy.

I hope that Magic in Disguise, when it is finished, not only is an improved book craft-wise from MMD, but is even more alive than its predecessor. A joyous, laughing, living book (as much as a murder mystery can ever be those things!), which brings as much delight to its readers as it did/does to its writer.

And now I’d best stop talking about writing it, and get back to actually writing the thing …

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Just An Ordinary Monday

Today as part of school, I’m having the kids draw fantasy maps. I want them to include five things: a sea, mountains, a forest, a river, and roads. Other than that, it’s completely up to them. I showed them some examples and left them to it, only stipulating that they sit at their desks so they can’t see each other and and be influenced by what the other is doing.

Tomorrow, we’ll talk about making up stories to go along with their fantasy maps. Putting people there, dragons, mermaids, anything they want, and then figuring out how they all get along and how the world functions together.

Economics, cartography, geography, art, writing, social … and they’re having a blast with it.

Some days I really, really love homeschooling.

Switching Mental Gears

I have been working exclusively on Rivers Wide (my 1930s Thousand Islands novel) for quite a while now, trying to get it to the point where I can start serializing it (I have to at least have it in a coherent draft form, and then I can edit/polish each installment as I go). So it took a wrench today to set it aside and immerse myself back in From the Shadows just for a day. My editor’s schedule has cleared, and she is ready for me to send it to her for line edits, and I had just a few issues I wanted to fix before mailing it off to her.

A wrench, yes, but exciting. Because – line edits! That’s a big step closer to publication. And as much as my head is full of Julie (of Rivers Wide) and her cousins and siblings, and their world of dairy farms along the St. Lawrence River in 1935, it was fun to revisit Riss and the crew of Caledonia and polish them up to meet my editor.

September was an exhausting month, with school starting back up (for Carl, for the kids, and our brand-new Classical Conversations homeschool group), the kids’ extra-curricular activities starting, Carl and I going through church membership classes, weekly Bible Studies, and a lovely whirlwind visit from family in the midst of it all. Not much time for writing at all, frankly.

But I knew that was going to happen, which is why I pushed so hard to get so many first drafts done this summer. Because, for me, second drafts/editing/polishing/et cetera, require much less intensive effort than the initial story creation. So I can pick a story up and do a little at a time without it taking me an hour just to get back into my characters’ heads and figure out where the plot is going. It’s still slow going, but it is progress.

And seeing that progress advance another entire step for From the Shadows is tremendously exciting, and I really can’t wait to hear what my editor has to say about it! Only another couple months before publication, guys!