Blog

Life Talk

Grief and Joy

Legacy

 by Louise Bates

~

With laughter, song, and courage he met the world

Fearless, great-hearted, and strong.

Never hesitated to help anyone in need

Despised meanness and cruelty.

He worked hard his entire life without complaint

To take care of his own, and others too.

 ~

A single life can touch so many

Bring hope, give inspiration, share joy.

Like ripples in a pond

Radiating from a single tossed pebble

The goodness of one man’s quiet life

Has spread – and keeps spreading.

 ~

He is gone, but his legacy endures

Love, faithfulness, compassion

Kindness, hard work, music

And laughter – always laughter.

In the hearts of all who knew him

Who he was lives on.

~

We buried my grandfather this morning. It’s been a rough few days. Thank you, everyone who offered condolences and comfort (and poetic assistance) on Twitter.

(Seriously, the above poem (which was printed on the hand-out at Grandpa’s calling hours) would not have been written without help from my Tweeps.)

Many times this past week I’ve said that I don’t mind getting older myself, but I really wish my grandparents’ generation would stop aging. I’m never ready to say goodbye.

The grief has hit me oddly this time around. I’ve not been extremely emotional, just tired. So, so tired. I’m not sure how much posting I’ll be doing in the next few weeks. With holidays coming and more traveling planned for immediately afterward, I’m not sure when my creative well will get a chance to be refilled. I had been participating in the #nerdlution (check it out on Twitter) before all this happened, and I hope to get back to my goal of 30 minutes of creative writing a day soon. Maybe when we get home (and unpacked, and laundry washed, and Christmas tree set up and decorated) I’ll be able to get going with that again.

In the meantime, thanks again for your friendship, and your patience while I’m sporadic with social media.

Malcolm W Bates, September 7, 1925-December 5, 2013
Malcolm W Bates, September 7, 1925-December 5, 2013
Baby Joy with her Great-Grandpa, 2007
Baby Joy with her Great-Grandpa, 2007
fiction, humor, influences, philosophy, writing

Lowbrow

I remember reading Agatha Christie’s autobiography (which I looooooved and read in one day even though it’s non-fiction and it usually takes me MONTHS to read non-fiction) and being amused and a little taken aback at how casually she referred to herself, her writing, and her reading as “lowbrow.”

“Max is highbrow,” she says casually, of her second husband. “And I am decidedly lowbrow.” And then she goes on to detail all of their differences in taste, in a comfortable, matter-of-fact manner.

I read beautiful prose, writing that is definitely “highbrow” even when it is, say, MG fiction, and I think “Ooh, I wish I could write like that.”

But I’ve tried, and it’s ridiculous. Seriously, I can’t even read it myself without snickering.

I’m lowbrow. My writing’s never going to be considered great literature. No one’s going to talk about Tolstoy and Bates in the same category. I write for pleasure, for enjoyment, for fun, for a chance to put a smile on someone’s face. I hope, usually, to also sneak some Deep Themes underneath it all, but let’s face it, nobody’s reading Magic Most Deadly in hopes of finding out the Meaning of Life. And they aren’t going to find it even if they look.

In one of the Anne books by LM Montgomery, Anne and Gilbert are discussing their future goals. Gilbert has decided he wants to be a doctor, to fight disease and help people live better lives. Anne, though she knows wanting to help people and teach them is more noble, just wants to add some beauty to other people’s lives, to give them one or two moments of joy that they might not have had otherwise.

You know what? That honestly seems pretty noble to me. If that’s lowbrow, I’ll take it.

I don’t have to write Great Literature to bring joy to others. I just have to write joyously. And that I can do.

God, Life Talk

Thankful

We had a lovely Thanksgiving yesterday. Quiet and peaceful, just the four of us here at home. We had invited some friends to share the meal with us, but all plans fell through, and in the end, that was okay.

I roasted a turkey for the first time ever, and it was delicious. The gravy also turned out perfectly, which pretty much never happens for me. Every component of the meal fell into place, and my only bit of stress came about Wednesday afternoon as I was working on the second pie (which stress resulted in me forgetting to put foil around the edges, and the crust getting burnt a little).

The pumpkin pie turned out perfectly. We had to trim the burnt crust off the apple.
The pumpkin pie turned out perfectly. We had to trim the burnt crust off the apple.

Next year, I’m only making one pie.

At dinner, the girls started sharing, unprompted, everything they are thankful for. Top of Gracie’s list were the homemade doughnuts we’d had for breakfast. The goof.

It was awfully precious to sit there and listen to them rattle off thanks … thankful for their new cousin, thankful for our new home, thankful for our old home, thankful for grandparents, thankful for each other, thankful for the ocean (“and tides!” Gracie clarified. “And REALLY BIG WAVES.”), finally winding up with Joy declaring she’s thankful for the whole world.

Well, really, how can you top that?

As I sat and listened, my chief thanks was that I was able to be thankful at all. I spent so many years numb, not able to be unhappy or happy, thankful or miserable, or anything at all except exhausted and overwhelmed, that to be able to sit with my family and really delight in them, and be utterly thankful for them, was so beautiful.

One question Christians are asked frequently – and it’s a valid question, a really good one – is that if God is so good, and so powerful, why did he allow evil to come into the world at all? There isn’t one simple answer for that. One facet of one possible answer, however, is that in a world where all is light, the light isn’t known; it’s taken for granted. But against the dark, we see the light, and we love it. The contrast makes it stand out so much brighter.

I had a really happy childhood, adolescence, and young adulthood. And I’m just now starting to grasp why, possibly, God took me through so many years of darkness after I hit adulthood. Because the joy I have now at actually having joy again is so much richer, so much better, than the simple unthinking happiness I had back when I had known nothing else.

So this Thanksgiving, I am thankful for thankfulness.

And I suppose, like Gracie, I’m also thankful for homemade doughnuts. They were really good.

20131127_084530

goals, Life Talk, philosophy

Determination

Last week, Grace fell down partway through her skating lesson (first of the season), and immediately wanted off the ice, out of the rink, home again, no more skating lessons ever. I knelt down beside her, hugged her and comforted her, and looked her right in the eye and said,

“You are not allowed to quit right now.”

*

A few days before Joy’s first ballet lesson, she started panicking, and told me she’d changed her mind, she didn’t want to take dance lessons after all. I told her she had to at least try.

*

On Saturday morning, I drove the girls to Joy’s ballet lesson. It was my first time driving without another licensed adult in the car since my sister’s wedding day, 8 1/2 years ago (on that occasion, I was racing between my sister’s apartment and my parents’ house for her wedding dress, accidentally sent home in Mom’s car the night before instead of my sister’s). I’ve never liked driving, and close to 10 years of living in cities with INSANE drivers didn’t help. I got out of the habit of driving altogether, and have only been slowly working my way back up toward getting behind the wheel again. With Carl out of town over the weekend, I had no choice but to take responsibility and get the driving done. And I did.

*

I know the trend in parenting is veering away from forcing kids to stay the course and stick with something even if they hate it. In some ways, that’s a good thing. And goodness knows I’m no “tiger mom.” But I remember my parents insisting that I keep taking piano lessons until I was at least respectable, if not proficient, even when I begged them to let me quit. I remember them instilling in me a sense of pride in a job well completed, even if not well loved.

Staying the course is an important lesson. If I hadn’t had those traits driven into me as a kid, would I be able to push myself to accomplish something I loathe now?

*

It took persuasion from Daddy as well as Mommy’s insistence to get Grace back on the ice that day. But she finally did, and when the lesson was over, she came off beaming and proud (and, needless to say, to lavish praise for overcoming her fear). Joy was nearly sick with nerves before her first ballet lesson, but was begging to stay and keep dancing by the end of it, and now after two lessons she loves it more than anything she’s ever done before.

Joy's first ballet lesson
Joy’s first ballet lesson
Grace on ice
Grace on ice

 

 

 

 

 

 

 

 

 

 

I won’t say that “no quitting” will be our hard and fast rule for everything in life. But no way am I ever going to let my kids get away with wimping out of something just because they’re afraid it’s going to be too hard or too scary. Life’s about doing those hard and scary things, and working at them until they aren’t hard or scary anymore.

I doubt I’ll ever really enjoy driving. But I’ll keep doing it, and one day, I hope, I’ll suddenly realize “Hey. This is no big deal.”

And then, I suppose, it will be time to tackle my next fear.

1920s, fantasy, writing

Introducing …

It has exactly one sentence so far, but I couldn’t resist taking a screen shot to show you:

Screen shot 2013-11-01 at 12.47.24 PM

Yes, in the midst of writing Wings of Song, I have started work on Magic Most Deadly’s sequel. Working title Magic in Disguise.

I have a broad plot outline and, as I said, exactly one sentence of story written.

I’ve also come up with a name for the series overall. Intelligent Magic, bringing together the Intelligence work that Len does and the magic that Maia is learning to master. Intelligent Magic was one of my discarded title ideas for Magic Most Deadly, so I’m pleased to be able to recycle it and use it now for the series.

Squee!

1920s, characters, families, research, world-building

Welcome to Stanbury

Hello! Welcome to Stanbury, ancestral home of the Whitney family. Come right in! Let’s use the side entrance; it seems more friendly, doesn’t it?

Maia used to swing on the gate when she was a child. It drove her mother mad, of course, but she loved the freedom of swinging combined with the ability to see the world passing by on the road. Even if “the world” were usually only a few stray escaped sheep.

Mind your step here. You wouldn’t want to trip on these stairs. Ouch!

Shall we pop into the kitchen a moment? Mrs Humphrey won’t mind. If we’re lucky, she’ll even give us a cup of tea (and possibly a slice of fresh-baked bread).

The sitting room gets marvelous light, wouldn’t you agree?

Mrs Whitney says it’s terribly draughty, though.

Yes, the bathroom is rather small. But so elegantly decorated! Ellie insisted on that.

The Whitneys are so very proud of this room, an addition the current Mr Whitney had built after he was married (but before the War, naturally. One doesn’t indulge in unnecessary expenditures in this day and age. Have you heard that they had to sell the London house? Terrible shame, but one can one do? Mr Whitney was only thankful to be able to hold onto Stanbury).

And here we are back onto the grounds! Sorry we couldn’t take more of a detailed tour, but really, it is terribly gauche to peek into people’s lives too much, don’t you agree? Besides, you wouldn’t have wanted to see Ellie or Merry’s bedrooms, believe me. They are a terrible mess, especially since Merry keeps chasing away all the maids with her Socialistic notions.

I hope you enjoyed the tour! Stanbury might not be the grandest showplace of the county, but the local folk are proud of it all the same. After all, as Maia says, it has character, and that’s even better than impressiveness.

All pictures are, in reality, of the Old Vicarage in Croxton Kerrial, Leicestershire. I love real estate websites for finding house inspirations.

1920s, editing, fantasy, influences, world-building

Magical World-building, Louise Style

I distinctly remember the first time I discovered the world of Cecy and Kate.

I was in the Scranton library, one of my first visits there after we moved from our apartment to the duplex and our former library was too much of a drive for every week (it was here, by the way, a great little jewel of a library that I truly loved). I was exploring the YA section, and wanted to see how many of the Enchanted Forest books by Patricia C Wrede they had. Instead, they had this collaborative effort by Wrede and someone I’d never heard of before, that read, upon skimming it over, like a blend of Jane Austen and … well, Patricia C Wrede.

image courtesy of Goodreads

I have always been skeptical of collaborative books, but this looked way too intriguing to pass up. I borrowed it, and promptly fell in love. Not only with Kate, Cecy, Thomas, and James, but with the idea of insinuating magic into the real world, into real history.

When the first glimmers of plot for Magic Most Deadly were swirling about my brain, my first thought was to make the world very similar to the Kate & Cecy world – where magic was an open, accepted part of everyday life, only in the 1920s instead of 1820s.

In the end, I just couldn’t make that work, though, and had to rely on magic existing, but being hidden. Which had its own set of challenges, but fit the story and characters’ needs much better.

It made the world-building and research process so much fun. How does one fit the War in with the concept of magic? Would magicians have been involved? (Hey, my brain said, there’s a good backstory plot point.) How does magic work? How do they keep it secret? How do they keep track of all the magicians? Is it a world-wide thing, or does each nation have its own set of laws regarding magic, or what? (Ooh, said brain. FUTURE plot points.)

What I did not do is what almost every writer of fantasy insists you must: I did not write out a detailed, complete outline of how magic worked, a complete alternate history, maps, et cetera.

Part of that was because I was coming off an exhaustively researched, meticulously detailed, carefully plotted project that had sucked the life and joy right out of writing for me. Magic Most Deadly was never intended to be publishable. It was just a fun project to help me recover my zest for story. So more meticulous detailing and back-plotting was the exact opposite of what I needed then.

The other part is that it’s really hard for me to think of all the necessary details to build up an alternate history completely, right out of hand. Rather, I do much better with a vague, broad outline, filling in the details as I go. I also happen to have a rather good memory for what I’ve already said and detailed, so it is very rare that I end up tripping myself later on with details or writing myself into a corner (with magic or history details, that is. Len’s eyes went from brown to blue probably half a dozen times in the course of the story in the first two drafts, and I still have to think twice if you ask me what color they are. And don’t even bother asking which leg Dan lost in the War. Are Maia’s friends the police officers Ray Maddox and Alan Andrews, or Ray Andrews and Alan Maddox? I’d have to check the book to tell you for certain. But  the magic details, those all stayed perfectly plainly, and very neatly labeled and organized in my head.)

Magic! Yes. Part of nature! Yes. Can only work with natural items! Well, that certainly makes sense, and provides a good limitation. Wait, then can magicians be mechanics? Don’t know, don’t need to know now, file that question away for later when it’s relevant.

Can people do magic on other people? Sure, but with limits. What limits? Hmm, I probably do need to work this one out. … Able to, but banned because it’s wicked. (Which ended up being the main plot point for my short story If This Be Magic.)

But wait! Banned by who? OK, need some sort of magical government. Hmm … we’ll call it a council, work out more details as needed.

(Later on, it turned out I did need those more details, and then I sat down and wrestled into submission the idea of Master Magicians, Journeymen, Apprentices, and Ordinary Magicians. That each nation had its own system of governance seemed obvious, so I didn’t bother messing with any other countries’ methods – I still don’t know how they all work, though I will have to figure out some for the sequel, featuring as it does magicians from the US and Russia.)

I don’t necessarily recommend this method for everyone. It can get sloppy, and if your memory doesn’t have the knack of holding onto the important details, it can get you in trouble. But it worked for me, for this book, and it saved me at a time when I have squeezed all inspiration out of my writing process by trying to be too businesslike about it. As I was working on the very final draft, I finally narrowed down various other details: where in England the story took place, what Stanbury and Little Oaks looked like, that sort of thing.

Sheepy Lodge, the inspiration for Little Oaks. Isn’t it gorgeous?

By then, the polishing stage, I needed all those little bits and pieces. Back at the beginning, the first few drafts?

They would have gotten in the way and bogged me down.

So this is what worked for me, for this book. It’s unconventional, sure, but it was also a whole lot of fun.

(I just realized, when I close my eyes and picture Dan, he is definitely missing his right leg. So there you go.)

1920s, Books, characters, favorites, fiction, heroes, heroines, influences, publishing, research, world-building, writing

Truth

I recently read Emma Thompson’s charge against the current generation of film stars, how they don’t seem to believe enough in their work to promote it, and that if one loves what one does enough, one should be willing to shout it from the rooftops.

It hit home. Because I have been doing a terrible job of promoting Magic Most Deadly. Granted, it’s not because I don’t believe in it, but it’s fear of being found annoying or arrogant or pompous. Or who knows? Maybe it is a lack of self-confidence – not it the book, but in me. I’m not going to try to psycho-analyze myself too deeply here. I just know that, to do justice to my book, I need to be bold about it.

So, truth:

Magic Most Deadly is the best damn thing I’ve ever written. It’s not highbrow literature. It’s not everybody’s cup of tea. But it is a fun story, with characters who became very real and individual people to me throughout the writing, and with a twisty and entertaining plot. It’s my tribute to Dorothy Sayers and Agatha Christie and Lloyd Alexander and Brian Jacques and all those writers I’ve mentioned in every one of my “Influences” posts.

I loved writing it. I even enjoyed editing and polishing it. I researched the heck out of that thing, and even enjoyed that part. I grew as a writer (and a person, really) throughout its creation process.

It’s a great little book. And I hope everyone who likes mystery and fantasy and humor and English country houses and strong-minded heroines and a hero who respects that and a fussy, stubborn mentor in the background will pick up a copy and give it a read.

Not because I want to be rich and famous and everybody loves meeeeee and thinks I’m wonderful! But because I really, I honestly do, think you’ll enjoy it.

Magic Most Deadly. Get your tickets today.

(Did I do okay, Ms Thompson?)

goals, humor, Life Talk

Madam Efficiency

I’ve always thought the coolest superpower to have would be flight. Invisibility was second on my list. These days, however, I want a different sort of power. I want to be known as …

Efficiency Girl!

Although I might be past the “girl” mark at this point in my life. Efficiency Woman? Definitely no. Wait, I know!

Madam Efficiency!

I would love to have the ability to get everything done in a day. Write, sew clothes for the kids, cook meals, clean the house, wash laundry AND put it away, teach school, and then have a little time left over for reading at the end of the day.

Ha. Ha, ha, ha.

You know that feeling when there’s so much on your plate you get paralyzed with pressure and end up doing none of it and just wasting time on Twitter and Pinterest instead? (Please tell me that’s not just me.) That’s almost every day around here. And we haven’t even started outside lessons yet. Gracie’s skating lessons start in just a couple of weeks, Joy’s ballet a few weeks after that, and we’re hoping to do piano lessons for Joy after the New Year, too.

Meanwhile, the dry laundry has been hanging on a rack in my living room for almost a week. My niece’s quilt stares at me constantly from across the room whenever I sit down, asking WHY it isn’t finished and in the mail to that sweet baby girl yet. And I haven’t been out of the apartment or talked to another human being besides my family (and the internet) since Sunday.

People sometimes ask me how I do it all, and I never know how to answer, because I am the farthest person in the world from doing it all. I don’t even do half. Maybe a quarter, on a good day.

Carl tells me that it is possible to be organized and keep to a schedule to get done what needs doing, and certainly that works for him, Mr I’m Going To Seminary Full Time And Working 20 Hours A Week  And Still Have Time For Occasionally Talking To Other People. But somehow, even when I make a schedule and try to follow it, life turns it upside down and I end up getting more frustrated and stressed because I can’t get it all done.

So yeah. any radioactive spiders out there or fancy gamma rays that want to turn me into Madam Efficiency, who manages to make the best use of all her time, every day?

Bring it on.