Yesterday was Agatha Christie’s 130th birthday. I wanted to write a tribute to her, but I was already late for the Self-Published Fantasy book recommendation post, and I didn’t want to push it back yet again. So I’m writing my tribute today!
When it comes to fiction authors, there are two who top my personal list for “writing stories that shaped me.” Not necessarily stories that I love the best, though these two are always on that list as well, but stories that have played the largest role in shaping who I am and how I view the world: Lloyd Alexander and Agatha Christie.
They might seem an odd combination, a writer of children’s fantasy stories and a writer of murder mysteries, yet their stories share certain important traits. A passion for truth. The constant struggle to find the appropriate balance between justice and mercy. The need for integrity in every aspect of one’s life. The importance of humility, and what happens when humans lose that.
As well, they share a warm, wry tone, a way of slicing through the deceptions we humans surround ourselves with, seeing the very heart of a person, and then displaying it with love. They both seem to say throughout all their works, “Look at how funny we humans are!”
It is one thing to be able to incisively see humanity without rose-colored glasses; it is one thing again to be able to warmly embrace and love our fellow humans. It is far rarer to be able to see humans as we are, and to recognize the same follies and flaws in one’s own self, to show it without falling into either satire on one side or gush on the other, and to include oneself in that portrayal. Mrs Oliver and Fflewddur Fflam alike are some of the only authorial inserts into a story that really work, and that’s because their creators are as unsparing of their own flaws as they are of others, and as warmly amused by them.
The first Christie book I ever read was The A.B.C. Murders, and it is still one of my all-time favorites. So much so that my husband bought me the gorgeous new hardcover edition for our last Christmas in England, and I adore it.
My mystery reading up to that point had been mostly Hardy Boys and Encyclopedia Brown (I was twelve); I’d been wanting to try Christie for a while but my mom was concerned I might get nightmares. I don’t remember exactly why she decided I was ready, but I remember getting so drawn in, despite the creepiness of the cover (this one), that I couldn’t put it down, and promptly went on to read all the Christies Mom owned, and then pillaged the library for more. The only book I refused to read for years and years was Curtain, because I couldn’t bear to read Poirot’s last case (now I think it’s one of the most brilliant books she wrote).
At twelve, I loved Poirot the most, for his cleverness. In my late teens and early twenties, it was Tommy and Tuppence, for their zest for life and clever banter (more on that in a moment). At this point in my life, I adore Miss Marple, for her keen wits and gentle ruthlessness. I probably identify most with Mrs Oliver, though!
In my mid-twenties, I struggled with finding joy in my writing (that has happened more than once since then; this was the first time, however, such a thing had happened to me). I had written a bog-standard epic fantasy that was, in retrospect, dreadful; I had written a light romance that was also dreadful; I was having fun with LM Montgomery and CS Lewis fanfiction but really wanting to write something of my own, yet not having any sort of ideas or characters. I had one idea, of an eldest sister in a fantasy world turning out to be the one to save the day rather than the traditional fairy tale convention of the eldest sister being the bad one, but I couldn’t gain any traction on it, and then I read Howl’s Moving Castle, and clearly there was no point in me trying that story when Diana Wynne Jones had already perfected it.
Then I picked up a Tommy and Tuppence story to re-read for fun, and slowly, ever so slowly, a few glimmers of light came to me. What if Tommy and Tuppence were in a 1920s England … with magic? Solving magical crimes? Working for a magical intelligence agency? What if I swapped their personalities, so that the Tommy character was the one who worked off impulse and instinct, and the Tuppence character was calm, stolid, and practical?
The mostly-abandoned eldest sister project came back to me at that point and the story started to fill out. What if the practical Tuppence character had two younger sisters? What if her parents were fairly useless and her sisters given to drama and the entire family leaned on her to keep them going? What if she was bored, fed, up, frustrated with being the responsible one, and looking for adventure? What if she suddenly discovered she had the use of magic, and got thrown into this new magical world that existed underneath the real world, and had to partner with this exasperating magical intelligence agent to solve a crime and save the day? What if underneath his flippant exterior the exasperating intelligence agent was kind, thoughtful, and really tired of always having to put on a mask for everyone, and he delighted in the elder sister’s wits? What if they became friends and partners?
I started writing. There were a few false starts, and plenty of difficulties along the way, but eventually all those “what ifs” turned into Magic Most Deadly, a book I chose to self-publish because it was so different from anything else out there at the time I thought no publishing house would look at it. It was my debut novel, and while looking at it now I can see all its rough spots and places where I would now write it differently, I’m still proud and fond of it, as well as of Maia and Len, my two detectives.
I don’t know that I’ll ever achieve a Christie-like insight into human nature, or her ability to turn those insights into characters that live and breathe and sparkle through her stories, but she has given me something to strive for in my own writing, not to mention principles that have stayed with me through all the ups and downs of my own life: the importance and beauty of truth; the need for justice balanced with mercy; the value of humility; the necessity of a good sense of humor no matter what life throws at you.
Thank you, Dame Agatha. May your legacy continue for years and years to come.
