Category: fantasy

Books, fantasy, heroes, influences, world-building

Influences: Terry Brooks

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I’ve always liked the name Will. William seems stodgy to me, and Bill boring (or, as one William I know once put it, “a bill is a duck’s mouth, NOT a person’s name”), but I do like Will.

I put the responsibility for that squarely on the shoulders of two authors: Susan Cooper, for her fantastic Will Stanton; and Terry Brooks, for Wil Ohmsford of The Elfstones of Shannara.

I still vividly remember finding this book for the first time. It was at our old library, the one we’d been going to since before I was born. I had looked through the entire children’s section and realized that I had read, if not all the books, almost all of them, and certainly all the ones that interested me (the Goosebumps books were completely safe from ever being borrowed by me). So, for the first time ever, I crossed the middle of the library into the adult section. I have no idea how old I was.

The above cover was the first thing I saw in the adult section. The very word “elfstones” caught my interest, followed very quickly by the Robin Hood-esque characters pictured. I added it to my pile, brought it home, started reading, and was instantly immersed.

The second Brooks book I read was The Druid of Shannara, which confused me horribly until I realized we were talking two separate Ohmsford generations, here. I didn’t care so much about Walker, but I loved all the tidbits about Wren, and, not having Wikipedia at my fingertips back in those days, went back to the library and found all the Shannara books they had and began skimming them, trying to find the one that would tell me more about Wren. I finally found The Elf Queen of Shannara, and as you might have guessed, loved every word. I think I named a character “Wren” in every story I wrote for ages after that. She was awesome.

Over time, I’ve read all of the Shannara books except the short stories and graphic novels (and finally got them all in the right order), and most of the Landover series, too. I also read Sometimes the Magic Works, which is still probably my favorite book on writing, from a writer, ever (I also really love Madeleine L’Engle’s A Circle of Quiet, but that’s more of a book on life, from a writer, than just a book on writing).
As I’ve grown and broadened my fantasy horizons, I can see a lot more of the flaws in Brooks’ writing than before. He certainly has no shame in utilizing tropes, or in using the same ideas and themes over and over (and over and over). His best books are, I think, his Word & Void books, which are gritty and dark, magic mixing with modern reality in a completely believable (and terrifying) way. The fantasy ones get repetitive after a bit, and I think the ones set in the more “modern” fantasy times (The Voyage of the Jerle Shannara books, and the High Druid books) are his weakest. My personal favorite is still Elfstones, both because it is the first I ever read, and for its characters – Wil, Amberle, Eretria, and Prince Ander.
Brooks is one of those rare writers who combines brilliant world-building with unique and dimensional characters (for the most part. Like I said, the later books get repetitive). And while someone today might dismiss him as following too many tropes, you have to remember that he is directly responsible for some of those things becoming tropes – other writers have copied off of him, turning his originality into tropes.
Sacrifice on a personal level for a greater, impersonal good is a continuing theme woven throughout his works. So is familial love, stronger than any spell. So is the seductive lies of evil contrasted with the harsh reality of good. So is the idea of one person, no matter how seemingly insignificant, refusing to give in to hatred and darkness, and turning the tide of the battle.
Cliches? Maybe. Truths that are important for people to be reminded of, even in fantasy version? Absolutely.
Not all evils can be fought with a sword (or elfstones). But evil can and must be fought every day, in all its various forms, by those who love peace, love goodness, love love itself. And I for one always appreciate the reminder of that I always get in Brooks’ works, and try to incorporate some of those truths in all my own works, whether it be the obvious point of the story or simply the truth hidden behind my writing.
Heroes don’t always look heroic, but the world needs them just the same.
Books, fantasy, influences, writing

Influences: Susan Cooper

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Susan Cooper has been one of my favorite writers for oh, close to twenty years now, so I was delighted yesterday when looking over the list of ALA winners this year to see that she has been awarded the 2012 Edwards Award for The Dark Is Rising series. (Former winners include Gary Paulsen, Madeleine L’Engle, Lois Lowry, Orson Scott Card, and last year, Terry Pratchett.)

I don’t remember exactly how old I was when one of my older friends recommended Cooper to me, but I know I was young enough that Dad read through the books first, just to make sure there wasn’t going to be anything in them that would give me nightmares, and also so that he could talk with me about anything that might scare me in them (and why it was Dad who did that with these books, instead of Mom, I’m not exactly sure, because usually Mom was the one who did nightmare-screening for me – but it might have been when she was working, and didn’t have as much time, or it might simply have been that Dad thought they looked interesting). Dad liked the first one so much he read the rest of the series for his own enjoyment, not because he was worried for me. I think it’s the first series (but certainly not the last) that Dad and I both loved, instead of Mom and I. We also both loved the Arthurian connection – we’re kinda both geeks when it comes to King Arthur!

The curious thing, for a nightmare-prone kid like me, is that even though they were eerie and intense, they weren’t outright scary. I was certainly creeped out a few times during the reading of them (I think Greenwitch was the creepiest, for me), but not enough to trouble my dreams. I think because good, no matter how beleaguered or desperate, always triumphed in the end, even (and often especially) through the frailty and love of flawed human beings.

And Will. Short, stocky, serious Will, with the enormous loving family and the heavy burden he shouldered so ably. His friendships with Merriman, with Bran, with the Drew children, and within his own family all so different, and drawn so finely.

Merriman himself was my first introduction to a character who was both good and hard, who could be ruthless in his pursuit of the Light. The Light that burns, sometimes, that doesn’t have room for softness – now, of course, that idea is commonplace, but at the time, I’d never read anything that showed that goodness doesn’t always look good and can, in fact, sometimes look cruel, that looking at the big picture can sometimes mean the details get blurred.

Cooper is another of those writers whose books shaped not just my own writing, but my life. I really can’t think of what sort of a writer I would be today were it not for the richness and depth of her stories. She has written many books besides The Dark is Rising series, of course (I bought Victory! for my dad for his birthday a few years ago – another one that we both loved), and I’ve enjoyed almost all of them, but tDiR has a special place in my heart.

Not to mention, of course, that I hold her and Lloyd Alexander between them directly responsible for my love affair with Wales, that land of magic and mystery and heroism. Which makes me think – maybe this is the year for me to pull out my Welsh language materials that I’ve had for an embarrassingly long time and get to work teaching myself the language. Maybe I should teach it to Joy and Grace at the same time, we three can learn together!

Or not.

characters, fantasy, humor, world-building, writing

Dream-Maker

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After the fun of my sci-fi mash-up dream, and urged on by rockinlibrarian (also aided and abetted by rthstewart, who nearly made me snort tea all over my computer with her take on the animosity between Lando Calrissian and Mal Reynolds (I am so going to think “Not right, man wearin’ a cape” the next time I watch Empire Strike Back, rth!)), I decided I had to start writing it down as a story. Not one for publication, or even for putting up on ff.net due to my blatant self-insert (but she’s not a Mary-Sue! She is not perfect and nobody is in love with her except her off-screen husband, but she and Mal do have great fun with harmless flirting by passing insults at each other), but just a way to get some of this marvelous creativity my subconscious was providing me with down on paper.

I’m about ten thousand words in, and it’s getting crazier and more peppered with cameos from other sci fi/fantasy stories with each paragraph. Mara Jade has insisted on popping in (for more than just a brief cameo, thankyouverymuch, what do you take her for?), and it’s becoming very clear to me that the Doctor would never consent to being left out of a madcap adventure like this, so it is clearly my duty to get caught up on that show, since I still haven’t made it all the way through the Ninth Doctor (though even the few episodes that I have seen have left me with a tendency to say “Fantastic!” just like Christopher Eccleston).

But aside from the sheer fun of this, and the marvelous outlet it has become for releasing any stress in my life, the other nice thing about this story (simply titled “fun” in my computer documents) is that is stirring up my creativity for my other writings, as well. Did you know I hadn’t written one word of fiction since before Christmas, up until I started this nonsense project? Not. One. Word. (Speaking of things that ain’t right.)

And then yesterday, I actually opened up my current MG WIP and skimmed it over, thinking how ready I am to get back to writing more about Cadi &co. And then I started thinking about Maia and Len (my older YA 1920s adventure-fantasy) and realized the first draft had finally settled enough that I was ready to tackle putting it into decent shape for the second draft.

Today I have to take care of some basic household chores (Carl’s been helping out a lot – blessed man keeps washing dishes for me, which is marvelous, darling, thank you – but breadmaking and laundry are still two tasks that will always be delegated to me), but I’m hoping to spend some time this afternoon or evening in “real” writing, writing I might actually be able to show to the world someday.

And I will not be abandoning my “fun” story, either – I have a sneaking suspicion that this is one tale that will stretch out for many years, to be added to whenever it strikes my fancy or I am getting bored, and never quite coming to an end.

What do you do to get your creative juices flowing again? What are some science fiction or fantasy characters you would add to a crazy story like mine?

Books, children, fantasy, reading list

The Year of The Author

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I have a hard time keeping track of what books I read in a year. I start out well enough, in January and February, but by March, I’ve completely forgotten about writing down what books I’ve read. Probably because so many of them are re-reads, and it seems silly sometimes to write down that I’ve read Anne of Green Gables for the 500th time.

However, I did realize, recently, that I tend to have a year of an author. For the last few years, there’s been one author that I’ve discovered, either new to me or newly-loved, and I’ve spent the year reading everything I can get my hands on by that author.

First it was Dorothy L Sayers, and spending the year borrowing one Lord Peter book after another from the library. I even read all the Monty Egg stories I could find. Sayers’ writing still enthralls me – I find something new about it to cherish each time I re-read. And Lord Peter himself … I have mentioned before how bitterly I resented Harriet Vane because he fell in love with her, yes? All right then. Nothing more about that really need be said. He is as human and real and swoon-worthy a hero as was ever written.

Then it was Tamora Pierce – first Kel, then Aly, then Beka. Though Pierce’s tendency (as I see it) to sometimes subvert the story in favor of her point irritated me (and still does, though the more I write the more I understand that temptation, and also how easy that is to do without realizing it), I did so appreciate her strong heroines – especially Kel and Beka, who were both quieter and more sensible than many female fantasy protagonists and were not blessed with special gifts that made them stand out; it was their character and determination. I truly do love that.

This past year, it was Diana Wynne Jones. I’d read one or two of her books before last year, but 2011 was the year I fully fell in love. Also, it happened to be the year she died, which left me feeling outraged – I’d finally found out how much I loved her writing, and then she was gone, before I even had a chance to say or think “thank you.” The woman who created Sophie and Howl, Chrestomanci, Cat, and so many others, and wait, what, they just barely sprang to life for me and their creator was gone? Bad timing, Louise and world!

I think I already know what author will dominate 2012 for me – another one who died shortly after I’d finally read one of her books*, though that was a few years ago.

2012 seems a fitting year to immerse myself in this author’s writings, seeing as how it is the 50th anniversary of her most famous work. That work? A Wrinkle in Time, and the author is Madeleine L’Engle.

I’ve mentioned on here recently just how moving I found A Ring of Endless Light. 2011 (well, and 2010) was a year of a lot of personal darkness for me, and the message of hope and encouragement to persevere that rang through Vicky’s experiences was just exactly what I needed, when I needed it. I sobbed my way through the last few pages – and I am not a big crier (I mean, sure I get choked up Every Single Time I read OR watch Sam’s “I can’t carry the Ring, but I can carry you,” bit to Frodo in Return of the King, but who doesn’t? I’m not made of stone, after all).

While we were visiting my MIL for Christmas, I started reading A Circle of Quiet, one of L’Engle’s memoir-ish works. By the time I was a few pages in, I know this was going to be one of those books that picked me up, shook me out, and set me back down again dazed, refreshed, and seeing the world with new eyes – or old eyes that simple had too many scales on them now shaken off.

And I was right. My thinking hasn’t necessarily radically changed on anything, but the book both affirmed and challenged me right where I needed it, helped me shake loose some ideas that have been weighting me down, and filled up the spaces with fresh ones. It also made me laugh, which is grand.

So now I am certain that 2012? Is going to be the year I read everything I can find by L’Engle.

(*So, the story about why it took me so long to read anything by L’Engle – when I was very young, I picked up a book from the library called The Door in the Wall, which I thought was going to be exciting, and WAS NOT. I hated it. After that, I always got that book confused with A Wind in the Door, and so transferred my loathing of that darn non-exciting children’s book to anything by L’Engle. Kind of like how I never read anything by Jones for so long because I always saw cats on the covers of her books, and unless Lloyd Alexander is writing it, I have no interest in feline fantasy. It took me until I was an adult to finally brave picking up Wrinkle, at which point I realized it had nothing whatsoever to do with EVIL BORING DOOR BOOK, but it was so very different from what I had been anticipating that I wasn’t sure what to make of it. Same when I finally read Wind, and it really did take me until Vicky and Ring before I could start to better appreciate L’Engle’s beautiful, strange writing. The End.)

fantasy, Life Talk

The Hobbit Trailer

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The Hobbit – next December. I’ve been trying to contain my excitement, given my disappointment over how the LotR trilogy went, but between the casting (Richard Armitage as Thorin could not be more perfect – Martin Freeman IS Bilbo – Benedict Cumberbatch as Smaug just makes me want to shriek with delight, etc etc) and now this trailer …

Well, excitement abounds. No containing it anymore.

SQUEE!

Books, fantasy, reading list, writing

Why Fantasy?

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This is a reasonable question, yet one I’ve never really asked myself before. Why, out of all the genres out there, is it fantasy, most specifically YA fantasy, that appeals to me the most?

My bookshelves are so full that I have to stack books on top of books, and some of the books that I don’t want to get rid of but rarely read (ahem *Star Wars novels*) are packed away. I’d plead for more shelf space, but Carl has hogged it all already.

On my shelves, I have a smattering of classical literature – mostly Austen, Gaskell, Dickens, and Shakespeare. I have some of the Russians – Tolstoy and Dostoyevsky – but I’ve never made it all the way through one of their novels. The problem is I keep picking them up when I’m either pregnant or just had a baby, and I’m already prone to depression … not a good time to read the Russians, I have found.

There’s my history books covering two shelves, the books that I gleefully claim I need for research, but really just get because history of all kinds fascinates me. Then there’s my children’s lit – LM Montgomery, Maud Hart Lovelace, Elizabeth Enright, Louisa May Alcott, etc.

Agatha Christie gets one entire shelf to herself (she was a Very Prolific Author), and Dorothy Sayers, Margery Allingham, Josephine Tey, and Dorothy Gilman cover the next (none of them, alas, were as prolific as I would have liked). I do enjoy a good mystery, especially one that’s not too gruesome. And if you’ve been reading this blog for any period of time at all you know I have an illicit love affair going on with Lord Peter.

The rest of my shelves are all fantasy, and mostly YA or MG. From Narnia to Middle Earth to Prydain to E Nesbit’s England to Mossflower to Ancelstierre and the Old Kingdom to the Enchanted Forest and covering a whole lot more in between.

So why? What is it about fantasy that draws me so, that makes want to read it more than anything else? What is it that makes it my default for writing? Even trying to write a simple adventure story set in 1920s England turned into an alternate history type fantasy (really have to get back to that as soon as I’m done with the rough draft of Cadi’s story – Maia does not take kindly to being set aside for a time).

I never got all that into the traditional sword-and-sorcery fantasy. I’ve read some of those sorts of books and enjoyed them, but not for writing, and I usually only borrow them from the library instead of buying them for my very own. And I’m definitely not big into paranormal or urban fantasy. I have yet to read the book-whose-title-is-synonymous-with-dusk, and vampires etc just don’t really interest me terribly. Unless that vampire is Angel. Duh. Again, I have read some urban fantasy and enjoyed it, but not to the point where I ever want to buy any of the books.

So what is it about certain types of fantasy that draws me the most?

This might be an unfair post, because I don’t really have an answer yet. I think it’s important to ponder, though, and I suspect it boils down to something along the lines of a Lloyd Alexander quote I love:

Fantasy is hardly a way of escaping reality; it’s a way of understanding it.

I think that for me, fantasy has helped me understand this “real world” better, while also allowing me to accept things which we cannot see or understand. I do still believe in fairies, you see, and that belief has helped to shape me into a better person.

And if I can be an ambassador of a magical realm to this one, then that is a task I am proud and yet oddly humbled to accept.

What are your favorite genres to read or write, and why? Do you believe that fantasy does help us to understand reality better? Do you – as Peter Pan might demand – still believe in fairies?

children, fantasy, influences, writing

Influences: Edward Eager & E Nesbit

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I put these two writers together because of how inextricably their writing styles are connected in my mind. That, and because I only discovered E Nesbit through Edward Eager’s books.

I’m not sure how old I was when Mom helped me find this great-looking book in our local library – green and white hardcover, with a front figure who was half girl, half knight (and a very smug cat in the background). It looked terrific, so we brought it home to read.

That book was Half Magic, by Edward Eager, and not just me, but my mother and sister fell in love with the four siblings, who squabbled and worked together and had fun and were thoroughly human. The magic was perfect, too – not only was it not magic that just came easily to them, they didn’t even understand its rules. As Eager himself put it, first it thwarted them, then they had to learn how to thwart it, and in the end, when they had finally learned how to work it well, they gave it up for something better.

When we went back to the library the next week, we promptly checked out all the rest of Eager’s books, and loved almost all of them just as much. I’ve never been quite as fond of Magic or Not? or The Well-Wishers, but even those I’ve grown to appreciate more as I’ve gotten older. Knight’s Castle led me to read Ivanhoe at age twelve (no easy task, but well worth the effort), and I remember building Lego castles to imitate Torquilstone for months after.

In each of his books, Eager’s children reference reading E Nesbit’s books. This, naturally, led me to search for some of her works, as well. Mom was familiar with the Bastable books, but not the others. I think the first one I read (also borrowed from the local library) was Wet Magic, a solid red hardcover with no dustjacket, looking alluringly thick and mysterious. From there I discovered The Phoenix and the Carpet, and all the rest of her wonderful works.

Confession: I actually prefer Eager to Nesbit. I know she was a pioneer, and I admire her tremendously, but sometimes I feel there’s almost too much of a hard edge to her stories. Eager’s are a bit more light-hearted, and I enjoy that – though that’s a matter of personal taste, and I can certainly see why someone else might prefer Nesbit for that very reason.

My favorite Nesbit book, as it was for the children of Half Magic, is The Enchanted Castle, and when my parents got me the hardcover with Paul O Zelinsky’s stunning illustrations for a birthday present one year, I was thrilled (I think it might have been one of the first hardcovers I ever owned – if not the first, then one of the very earliest). I still have that book, displayed prominently on my shelves.

Through Eager and Nesbit, I learned the fun in reading – and writing – real people, as opposed to caricatures. I learned that reading about children arguing and teasing each other, and making up, and being loyal to each other through it all, just like my sister and my cousins and me, was delightful. I learned that one didn’t have to fall through a rabbit hole, walk through a wardrobe, or travel by tornado to find magic – it just might be lurking around the next corner. One should always keep ones eyes open, because one never knew when magic might happen.

And really, what better way to live than in that kind of delightful anticipation? I might never have found actual magic (by the way, what a great title for a book – Actual Magic), but I certainly found the world a very magical place all on its own, just by keeping my eyes open to its possibilities.

I’ve always found it very sad that there was no successor to Eager, as he was successor to Nesbit. Others have imitated, but nobody else has come close to matching their style, their wit, and their fun.

I’ve always had a sneaking hope that maybe, someday, I might be able to take up that mantle. After all, if I benefited so much from reading them, oughtn’t I help point the way back to them for future generations of readers, as well?

Are you familiar with Edward Eager and/or E Nesbit? If so, which author did you find first, and which do you prefer? Do you remember what books that meant a great deal to you as a child looked like? What were some of your earliest favorites, and how did they shape your perception of the world?