favorites, goals, influences, philosophy, stories, writing

The Why Behind the Word

Life has been weighing heavily on my shoulders this week. You know how it is sometimes? It seems like everywhere you turn there’s more tragedy, more brokenness, more need, more heartache, and it’s all so much you don’t even know where to begin.

And it’s not just the sad stuff. You read stories of people triumphing against the odds to rescue a street boy from an impossible life in Africa. Firefighters doing ridiculous things to save people’s homes in Colorado. People advocating for those who have no voice. All over, people doing their part to bring healing to this broken world.

And this is what always gets me – the need is so big, and so widespread, and others seem to know what to do to meet at least some of the need, but I get so overwhelmed and feel so feeble. What can I offer? Where do I begin? How do I take care of what’s already been entrusted to me and still have something left to give to the world?

Tuesday night, I heard that my hometown was shredded by a micro burst. Literally. Several downtown building were horrifically damaged, including the local hardware store where I worked from when I was a young teenager right up to a week before I got married. The store my dad has worked at for over 30 years. The roof was lifted completely off and flung into the river, and the sub roof couldn’t hold out the rain, and the water just flooded in. At one point they weren’t even sure they could salvage the building.

I was sick. Just sick, thinking about it. And Wednesday morning, when I heard about the community coming in and pulling together to help bring the store back from the brink, to the point where it could re-open for business this afternoon and start giving back to the rest of the community, it killed me that I couldn’t rush right home and join in.

But Grace woke up puking that morning, and I had to take care of her. No home-rushing heroics for me. At one point during the morning I looked at the short spy story document open on my computer and put my head right down on the table and said “WHY? Why do I write? What good does this possibly do in the long run? Why am I spending my time on this earth writing instead of doing … something?”

(And then I had to go hold the puke bucket for Grace again. Truth.)

The more I thought (and prayed) about it, though, the more certain things started to come clear. Would I even be the type of person who wants to do something if it weren’t for the books I grew up reading? Would I be the Louise I am today if I hadn’t grown up with Lucy and Edmund, Anne and Diana, Randy and Rush, Taran and Eilonwy, Will and Bran, and all the rest? In my “Influences” posts, the common thread is that not only did these books shape me as a writer, they shaped me as a person.

It’s an odd circle – if it weren’t for people doing great things, writers wouldn’t be able to imagine such deeds to write about. If it weren’t for writers creating great heroes and deeply compassionate characters, real people might never be inspired to do great things themselves. We need books to show us the people we want to be.

That’s why I write. I write to bring hope, to inspire courage, to give comfort and encouragement. Even in real life, my role has always, since childhood, been that of an encourager. Writing is my way of spreading that beyond my circle of immediate family and friends. It doesn’t excuse me from acting in real life, too (and I pray that I will always be ready, in season and out, to act where I am needed and able), but it helps to give me a purpose, to remind me that my writing is not just for escapism or amusement. Not that there’s anything wrong with that, either (and certainly my spy stories are mostly sheer indulgent fun), but that can’t be all. Not for me.

This all sounds kind of pompous, looking it over now. “See me, how noble my goals are for my writing!” I don’t mean it that way. Rather, it makes me humble, seeing how very far I have to go before I can live up to my own hopes. And it helps to keep me grounded – when I have a day that I can’t write because my poor baby is retching on the couch, I can let that go more easily, because this is the real life that the writing is supposed to help inspire me toward.

My very favorite sort of stories are those of ordinary people doing extraordinary things. And I hope that’s the life I can live, and the stories I can write to encourage others along the same path.

characters, favorites, heroines, Life Talk, TV, Watch

Television Heroines

As promised, the companion post to my piece on favorite tv heroes. This time, it’s all about the ladies! Without further ado, I present my top five favorite tv heroines.

Lorelai Gilmore, Gilmore Girls: Oddly enough, I never really liked Rory on this show. You’d think I would, right? Quiet, bookish, ambitions of writing … yet I always felt like she came across as this spoiled, pampered little princess who assumed everything would go her way and couldn’t handle it when life got a bit difficult. Lorelai, on the other hand, is the kind of mom I can only dream about being. She’s fun and loving and kind and savvy and present (not just physically, but wholly); she’s not perfect but she never quits trying; she has a life of her own but still always puts her kid first. And she has great hair and a razor-sharp wit. Yep, pretty awesome.

 
Zoe Washburne, Firefly: I love Zoe. I want to be Zoe when I grow up. She is a rarity in television, an action heroine who is also happily married. Her combination of deadly combat skills, fierce loyalty, dry wit, and loving fidelity is amazing. Plus she gets awesome one-liners. My mom likes River the best, and I know a lot of people really love Kaylee (and don’t get me wrong, I like both of them, too – I think Kaylee would make a terrific best friend), but for me, it’s all about Zoe. She’s strong and still human, and that’s hard to find in any kind of heroine these days, television or literary; most are either all strength and no human emotions, or all vulnerability and weakness with a side helping of unrealistic warrior skills. Not Zoe. I also really love the fact that she’s a sci-fi action heroine who does not spend the entirety of the show running around half-dressed. And she’s a really, really good shot.
 
Captain Kathryn Janeway, Star Trek: Voyager: I know I complained in my heroes post about the fact that Voyager focused almost solely on Captain Janeway … but that doesn’t take away from the fact that she’s still a fantastic character. A female starship captain who never exhibits any signs of belligerence or insecurity toward the men under her command, or the other officers in Starfleet; a leader thrown with a totally unconventional crew across the galaxy, trying to get them home without ever going against her principles; a captain trying to maintain protocol with the crew while still providing them with the stability and comfort they need; an explorer faced with unprecedented challenges … as long as she had her coffee, Janeway took everything in her stride and faced it with humor and dignity.
 
 
Detective Kate Beckett, Castle: I only recently started watching Castle, and so far have only made it through Season 1. Season 2 should be coming to me through inter-library loan any day now. (edit: just picked it up from the library. can’t wait to start watching.) So I’m not sure how Beckett’s character developed in later seasons, but based on Season 1, I think she’s fabulous. She’s tough but compassionate, which I love in any character, male or female. She doesn’t take any nonsense from anyone. I love watching her get the best of Castle in any of their exchanges, and the developing friendship (which I know from things I’ve read turns to romance later, but is really great as a friendship, too) between them is so much fun to watch.
 
 
Donna Noble, Doctor Who: This one is kind of cheating. Donna’s not technically one of the stars of this show, more of a supporting character (and that only for one season, weep, weep) … but I love her so much that I don’t care. I really liked Rose; I would have liked Martha if she hadn’t let her inferiority complex turn her into such a drip; I loved Sarah Jane in the one episode of the new series (no, I haven’t watched any of the classic series, and Netflix doesn’t have The Sarah Jane Adventures, so I need to start borrowing those from the library too before I can know more about her); but Donna has turned out to be my favorite so far (I’m in the middle of Series 4). She’s the perfect foil for the Doctor, in her humor and compassion and strength. She’s not in love with him (thank goodness!) but their friendship is so, so strong, and they both grow and gain so much from the other. I even love her abrasiveness, the fact that she doesn’t take any crap from anyone. Her relationship with her grandfather is just icing on the cake. I know how her story arc ends (yes, I read spoilers, especially when I’m watching old seasons of a show), and I’m finding myself really reluctant to finish watching Series 4, because I don’t want to leave her behind. Well, I don’t really want to say goodbye to the Tenth Doctor, either, if I’m being perfectly honest.
 
donna2.jpg

 
It seems that my favorite female characters share the same traits I admire most in male characters – strength blended with compassion, the ability to stand up for themselves and for others, loyalty, a ready wit, and a thorough love for adventure. Being ready and willing to take out the bad guy doesn’t hurt, either.
Books, fantasy, favorites, fiction, humor

The Journey is the Treasure

Five years ago today, Lloyd Alexander died.

I was visiting my parents at the time (I don’t remember why). I was checking my email on Mom’s computer when I saw the news.

I was devastated. Numb. I just sat there in Mom’s chair and stared at the computer screen. It didn’t seem possible. I spent much of that day in a daze, trying to come to grips with it. Thankfully, my parents understood completely – Mom even told me that she’d felt much the same when Agatha Christie died, that same sense of losing a close friend, even though it was a person she’d never met.

But that was the thing with Lloyd: he was a friend to every one of his readers. He didn’t just create some of my favorite heroes and heroines; he was a hero, himself, to me, simply for his honesty, his humor, and his love for adventure.

I’ve written before about the tremendous influence Lloyd has been, both on my writing and on the way I try to live my life. On my very approach to life, really. His writing is wonderful for children, who are still trying to figure out the world and where they fit in it. It’s just as wonderful for adults who need to remember the deep joy and magic that can be found simply in the grand adventure of life itself (that sentence sounds pompous. Don’t worry, Lloyd’s books are never pompous). His heroes smash every popular idea of what heroism is all about, and they do it while still remaining joyous and real. Just look at some of the quotes from the Prydain Chronicles:

“In some cases,” he said, “we learn more by looking for the answer to a question and not finding it than we do from learning the answer itself.” 

“There is much to be known,” said Adaon, “and above all much to be loved, be it the turn of the seasons or the shape of a river pebble. Indeed, the more we find to love, the more we add to the measure of our hearts.”

 “Is there not glory enough in living the days given to us? You should know there is adventure in simply being among those we love and the things we love, and beauty, too.”

“This much have I learned: A man’s life weighs more than glory, and a price paid in blood is a heavy reckoning.” 

And this, my favorite: 

“I have learned there is greater honor in a field well plowed than in a field steeped in blood.” (Oh, Adaon!)



If someday I can write books that bring half as much joy and inspiration to people as he did, I will consider my life well lived. When I heard that today was being informally dubbed Lloyd Alexander Day, I knew I had to participate. How could I not join in honoring the man who has had the greatest hand in shaping the type of writer I am, the type of stories I love, the type of hero I want to be?


I have written a few stories posted on ff.net in the Lloyd Alexander section. If you’ve read all of his own works and are looking for something more, I humbly offer my own attempts. Amaranth is based on The Arkadians; Night Phantoms is a surprisingly (at least, it was a surprise to me) melancholy glimpse into King Smoit’s character; Magic of the Heart looks at what life in Prydain might have been life for the generation after the events of The High King, as seen through the eyes of Taran’s youngest daughter.


If you’re interested in more Lloyd Alexander fanfic, do check out any of the writers in that section of ff.net; I especially recommend anything by Companion Wanderer and Adaon45.


Above all, read something Lloyd himself wrote! And then go plant some turnips in honor of Coll.


And I leave you with some others of my favorite quotes from Lloyd …

“All that writers can do is keep trying to say what is deepest in their hearts. ” 

“I intend to follow the path of virtue. It will not be overcrowded.” 

“You have a point,” said Fronto, “and even a poet must occasionally bow to logic.” 

 “You’re showing mercy.” Catch-a-Tick nodded. “That’s heroic, too. But not as good as smiting.” 

“If a storyteller worried about the facts – my dear Lucian, how could he ever get at the truth?” 

“The journey is the treasure.” 

Books, characters, children, families, favorites, fiction, influences

Influences: Elizabeth Enright

Another one of the few non-fantasy authors who have been an enormous influence on my writing and my life, Elizabeth Enright doesn’t get anywhere near the appreciation she deserves, in my opinion. Which sounds odd, considering she won a Newbery Medal for Thimble Summer. It’s been my experience, however, that most people get a blank look on their faces when you mention Enright’s name, and then only vague recognition comes with the mention of Thimble Summer.

I thoroughly enjoy Thimble Summer, but it can’t hold a candle to my favorites of hers – the Gone-Away books. Whether it is the close relationship between a boy cousin and a girl cousin, reminding me so happily of the friendship between my cousin Zach and me, or the idea of a hidden, old-fashioned community, or (in the second book) all the fun of renovating an old house (which, having lived through, is Not Really Fun At All, but Enright made it seem fun), and moving to the country after having lived in the city … whatever it was, the books were a delight. I especially like that, unlike so many YA and MG books, the adults are present and involved, while the children still have freedom to explore and be brave and get themselves in and out of trouble. We need to see more of that in books for young people!

Then there’s the Melendy Quartet. I’ve written in my favorites posts about this family – Randy and Rush and the family overall. I love them. I want them to be my next-door neighbors. I want to have had Randy and Rush to adventure with as a kid, and I want them all to be my kids’ friends. They are real, and delightful, and funny, and brave (and occasionally not), and ambitious, and loyal and loving.

I think what I like best about Enright’s books, and her characters, is that perfect blend of realism and idealism. While the Melendy gang have marvelous adventures and impossible luck, they also feel like real people, people you could meet any day walking down the road. Same with Portia and Julian and the rest of the Gone-Away crew. As for Garnet of the wheat-colored braids, despite living in the hardest of times in American recollection, the Great Depression (a farmer’s daughter, no less), there is no grimness in her; she still exudes the natural joy of childhood, mixed with a very real worry for her parents’ livelihood.

Another factor that has always personally influenced my delight in Enright is the friendship that exists between boys and girls, without any romance or foolishness, just very easy and natural. Garnet and Jay and Rush and Randy are, true, brother and sister, and Portia and Julian cousins, so romance would be quite ick in their cases, but so many writers only seem to capture the squabbling side of boy-girl family relationships, or the exasperation each feels for the other. There is some of that in Enright’s books, as there is in life, but there is also the deep and meaningful friendship that only comes when boys and girls are friends with each other, instead of boys only being friends with boys, and girls only being friends with girls. I love that Enright shows those sorts of friendships are possible, instead of assuming there must always be this unfathomable chasm between the two. Ugh! No wonder we have such problems with gender discrimination; it is so ubiquitous, even in children’s literature!

Whenever I want to capture some of the sense of my childhood, I re-read an Enright book. And in my writing, I try to keep in mind how natural and fun her characters all are, regardless of the book’s setting. When children who were created sixty, seventy, eighty years ago feel more real than children written about today, you know something has been done right!

Are you familiar with Elizabeth Enright? If so, which is your favorite book? What are some books you can think of that feature really excellent boy-girl friendships, without any hints of romance?

Books, characters, favorites, fiction

Everyday Stories

Adrienne made a comment on one of my recent posts about the sad dearth of ordinary stories about ordinary people – the likes of which were written by LM Montgomery, Jane Austen, Charles Dickens, Elizabeth Gaskell, etc. Considering that I just recently wrote on how important fantasy is, it might seem odd that I now turn around in defense of “ordinary tales,” but I truly do believe both are vital.

Fantasy can help to expand us, help us see beyond ourselves to the possibilities that exist in our dreams and imagination. Everyday stories, I think, help to ground us, and to show us the beauty and joy that comes from just living, just as we are now. Both, in their own way, show us the magic that exists all around us.

I can’t imagine growing up without Anne Shirley, Betsy Ray, Garnet of the wheat-colored braids, and as I grew older, Rilla, Lizzy Bennet, Anne Elliot, and Molly Gibson. Et cetera, et cetera.

There’s a big emphasis I see these days in people thinking that one has to already be special in order to do or accomplish anything special, or have a worthwhile life (running contradictory to the other popular idea, which is that “everyone is special,” and which also produces laziness, but that’s a topic for another time). There was a lot that I disliked in the recent movie version of Voyage of the Dawn Treader, but one of the things that drove me nuts the most was a tiny little throwaway line from Reepicheep, where he tells the dragon-that-was-Eustace,

“Things like this don’t happen to just anybody, you know. You’ve got to be someone extraordinary.”

(Or something like that. I don’t remember the exact quote.)

It made me want to scream, right there in the theater, because that’s not true and it’s not how Lewis wrote Eustace. I hate that we seem to be living in a time that believes you have to be born “different,” somehow, for your life to have meaning. And right now, in MG and YA lit, that “different” usually does equal mystical or supernatural.

And that, I think, it a dreadful use of the fantasy genre. I would much rather read about Anne Shirley, overcoming an incredibly difficult and mundane birth and early life to live a life of simple grace, love, and beauty (one of my all-time favorite quotes ever is from Anne of Avonlea (or is it Anne of the Island?), where she tells Gilbert her life’s goal is to add beauty to the world and people’s lives, that they might have some joy or hope that they wouldn’t have had otherwise), then about what’s-her-name from the book whose title is synonymous with dusk, who whines and mopes and finally becomes a bloodsucker in truth as well as metaphorically. What’s inspirational about that, again?

And I think it will be a true shame if this generation grows up only reading books that reinforce the idea that it takes something supernatural to make you special, that you can’t live a meaningful or exciting life if you don’t have fangs or wings or both.

Life – just as it is, in reality – is both beautiful and exciting, and always meaningful, if we are just willing to look hard and work at it. We can’t just sit back and allow life to pass us by because “we weren’t born special.” We don’t need a prophecy told about us at birth to enable us to achieve great things.

Everyday stories, about every people living everyday lives, can be just as inspirational, and for me, at least, have been an enormous help in finding joy in life just as it is, just as fantasy helps me seek even deeper into the beauty and wonder of life.

Do you like reading “everyday stories”? What books can you think of, about ordinary people and ordinary life, have helped you develop and grow as a human being? Can you think of some recent titles in YA that are those sort of everyday stories? I’m drawing a blank, myself!

characters, favorites, heroes, heroines

My Favorite Literary Couple

Betsy Ray and Joe Willard are one of my all-time favorite literary couples. I love everything about them, from their first meeting in “Heaven to Betsy,” to the absolutely lovely recounting of the first years of their marriage in “Betsy’s Wedding.”
I’ve wondered sometimes what makes me like them even more than most classic couples, such as, say, Anne and Gilbert
Or Elizabeth and Mr Darcy
Or even Taran and Eilonwy (a classic couple for fans of YA Fantasy)
I even like them a little bit better than Molly Gibson and Roger Hamley, which is shocking.
But there you have it. For some reason, Betsy and Joe just stand out above the rest for me. After thinking about it, I’ve come up with a few reasons why:
(Note: I’m not saying that none of the other couples I mentioned don’t have all these traits, just not all together, like Betsy and Joe)
  1. Joe really respects Betsy. He doesn’t just adore her without thinking of her as a person, or think her perfection without recognizing her human flaws, or worship the ground she walks on without acknowledging that she has a brain. He respects her as a person, a human being, and he doesn’t try to shelter, coddle, or protect her. He critiques her writing honestly, and tells her real ways she can improve it. He is fiercely competitive in the first three years of their high school writing rivalry, but it is always a friendly competition.
  2. Although Betsy and Joe meet when they are fourteen, it is not at all certain they will end up together by the end of the series. There is an obvious attraction there, but while the reader hopes they will act on it, between their own stubbornness and outside influences, one can’t be at all sure. So that, when they do end up together, there is simultaneously a sense of “Of course!” and “Whew!”
  3. (and somewhat connected to 2) Because we get to see Betsy with SO many other boys, and Joe with at least one other girl, we are able to see even more clearly how perfect they are for each other, in contrast with all the other romances they’ve had.
  4. They are neither best friends nor bitter enemies. Nor do either of them think of the other as a sibling, while the other is hopelessly in love. Thank goodness!
  5. They don’t start dating (or courting, I suppose, given the era) and immediately get engaged and then married and everything is perfect. We get to see them continue to quarrel and make up, and even to break up for a time. Things aren’t perfect after they are married, either, but they meet every challenge with love and humor, and it makes them so human. In fact, everything about them is human and realistic, while still romantic enough to make the reader swoon.
So there you have it! My top five reasons why I love Betsy and Joe so much. All good things to keep in mind, for me, when writing romance between my own characters.
Who is your favorite literary couple? What are some things that you love in a literary romance, and what are some things you hate? Out of the five couples I mentioned, which do you like the best? Don’t you love Vera Neville’s illustrations for the Betsy-Tacy books?
Books, families, favorites, fiction

Favorite Literary Families

The Blythes (Meredith children) (LM Montgomery):

These were the very first families to come to mind when it came to best literary families. Anne and Gilbert are completely impossible always-loving, always-patient, always-kind, -understanding, -wise, -funny, etc, etc, parents. Of course, maybe that’s not impossible when you have a Susan Baker to do all your dirty work – the disciplining, the maintaining the household, the practical day-to-day details. Heck, I want a Susan Baker! Maybe then I can finally be the fun mom I’ve always wanted to be.

Be that as it may, Gilbert and Anne are awesome parents, and the children are just as winsome and lovable as their parents. I confess to a special fondness for Shirley, the poor unmentioned child through the latter books, who merits only a few sentences in Rainbow Valley, and one or two lines in Rilla of Ingleside.

The Merediths are not so lucky as the Blythe children – in Rainbow Valley their mother is dead and their father is neglectful. Things have looked up for them in Rilla, but through it all they have forged a funny, kind, loving friendship between themselves that is charming. Whenever I think of great sibling friendships, I think of these two families first.

The Seven-Day Magic families (Edward Eager):

I enjoy all of Eager’s families, but these two sets of siblings (and their families) especially touch me. John and Susan and their eccentric Grannie (who is AWESOME, by the way), and Barnaby, Abbie, and Fredericka with their funny and warm parents. I like that their parents/guardians are neither stupid nor unkind nor dead/otherwise absent, and that much of the magic revolves around them. Grannie gets her own adventure, with the children coming along but very definitely playing a side part; and Abbie’s entire wish has to do with her father. Very, very fun families.

The Melendys (Gone-Away Lake cousins) (Elizabeth Enright):

After listing Rush and Randy among my favorite heroes/heroines, you didn’t think I’d leave the rest of the family out, did you? The Melendys are such a delightful family – they bicker, make up, support each other, tease each other, and above all, enjoy each other’s company – even Father and Cuffy. And when a new member of the family joins them in “Then There Were Five,” it just gets even better.

As for the Gone-Away cousins … Julian and Portia always reminded me of my cousin Zachary and me. We were inseparable as kids, getting into trouble and out of it, always finding adventures everywhere we went, even occasionally including the younger ones in our mischief. I love finding literary relationships that mirror those in my own life! Alas, Zach and I never discovered anything so wonderful as Gone-Away Lake and Aunt Minnehaha and Uncle Pin, but we had some pretty marvelous adventures of our own.

The Stanton family (Susan Cooper):

My dad is one of eight children, and reading about Will’s large, loving, normal family always reminded me of Dad and my aunts and uncles. I especially appreciate how each of them has their own distinct personality, from artistic Max to motherly Barbara to vain Mary – and especially, of course, the musical genius Paul, among the others. The friendship between Stephen and Will, eldest and youngest, is beautiful, and the poignancy as it changes when Will comes more fully into his own as an Old One makes me catch my breath every time.

The Wimsey family (Dorothy L Sayers):

We don’t actually see much of the Wimseys after marriage and children, but what we do is delightful. The views on parenting and individuality in children expressed in the short story Tallboys has shaped much of my own views – and this only in a few lines! But that is part of Sayers’ genius, that she wraps truths up in such simple phrases and presents it so clearly that one doesn’t need more words than a few (something I obviously have yet to attain, given the length of these posts). And the relationship between Lord Peter and his wife (working very hard here not to spoil the outcome of the series for those who haven’t read it yet by giving away her name) is just perfect.

The Beresfords (Agatha Christie):

The marriage between Tommy and Tuppence was always described as a “joint venture,” and the way that they shared in everything, from government work to parenting to running a detective agency, has always charmed me. Carl and I have taken occasionally to describing our marriage as a “joint venture” (okay, that’s how I describe it, but he always agrees), and we too try to share in everything as an equal team – each with our own strengths, but always working together.

The Pevensies (CS Lewis):

Others have described the friendship between the Four far better than I could – if you really want to see why I love them so much, go read Andi Horton’s Valley Verdant or Kingdoms Come … or any of her works, really. I will content myself with saying that they each have a very special bond with each other, and it is precious to see.

The Rays (Willards) (Maud Hart Lovelace):

The Rays, with the exception of Margaret (since we had only two sisters), always reminded me of what my family might have been like had we lived back in that era and been just a little bit wealthier. Julia and Betsy bicker as children and grow up to be the firmest of friends. Their parents love them and guide them but also trust them to make their own decisions and own mistakes, and are always there to help them pick up the pieces and move along. Mr. Ray even allows the girls to join a different church when they are able to tell him why, telling them he is prouder of them for thinking it through and wanting to be part of a church than he is sad that they want to leave the church they grew up attending. In that same scene, he gives them one of the best pieces of parental advice ever: “You might as well learn right now, you two, that the poorest guide you can have in life is what people will say.”

As for the Willards, as seen in “Betsy’s Wedding,” they are just fun and real, and I love, love, love reading about Betsy’s trials and triumphs as a young bride!

The Marches (Bhaers) (Louisa May Alcott):

There are many things people could criticize Mr. and Mrs. March for in their parenting, but they always loved their children unconditionally and did their best to raise them according to their principles. I have always appreciated Marmee’s work with Jo in learning self-control. I do not like how they always coddled Amy – but then I’ve never been able to forgive Amy for destroying Jo’s book AND for getting to go to Europe just because Jo was having one bad day, so I would have liked to see her thoroughly squelched by her parents once or twice throughout the book. Ahem.

As for the Bhaers, the love they showered on even the most unlovable of children through “Little Men” and “Jo’s Boys” is a lovely example of unconditional love. And the fact that they go about life in their own way, regardless of what society thought, is also delightful. The brotherly love between Teddy and Rob is so sweet, too.

The Fairchilds (Tuttle cousins) (Rebecca Caudill):

Not many people, I find, are familiar with the delightful books about the Fairchilds, or “Saturday Cousins,” which introduces us to the Tuttles. And it really is a shame, because both families are charming. Quaint, of course, hearkening back to that “simpler era” so many nostalgically yearn toward, but with everything that still makes a good family today – loyalty, friendship, love, trust, and guidance.

That same thread, in fact, weaves through all of the families on my list here. The same traits that my family always strove toward, and that I now strive to accomplish with my own family. In many ways, I look toward parts of these families for guidance in my own journey through these difficult waters of raising children. I am so thankful that literature, through heroes, heroines, and families, has given us all something to look up to, and something to strive for.

I may never be an Eilonwy, or a mother like Anne Blythe, or a brilliant and sensitive detective like Lord Peter, but they all can provide me with guideposts along my own journey. And really, what more can we ask of these fictional friends?

And the end of my “Favorite Literary …” series (unless you all can think of another list of “favorites” I ought to write)! Did your favorite literary family make it to my list? Who would you have added? Who would you have left off? Does anyone in the entire world actually like Amy March?

Books, characters, favorites

Favorite Literary Heroes

As I did favorite literary heroines last week, I thought it only fair to turn my attention to the men this week! Ready? I promise, I will try to be less wordy this time around. So, without further ado, I give you …

Lord Peter Wimsey (Dorothy L Sayers):

I first met Lord Peter in a library in Pennsylvania, a few years after getting married. I’m ashamed to admit that, newlywed though I was, I promptly fell head-over-heels in love and have never recovered. It took me ages to reconcile myself to Harriet Vane! (Possibly partly due to the fact that the first book I read featuring her was Have His Carcasse, so I got to see all her anger and bitterness without having a clue why – which made her very unlikeable. I mean, if you’re going to be Lord Peter’s love interest, at least be worthy of him!) I did eventually come to accept Harriet, and amusingly enough, Gaudy Night is now one of my favorite books – one of those I would take to a desert island if I was going to be stranded there a year.

Sigh. Lord Peter. It’s a good thing I met him after I got married. And a good thing my husband already knows about all my literary crushes, else this post might be slightly awkward!

Taran of Caer Dallben (Fflewddur Fflam) (Lloyd Alexander):

Taran Wanderer is another one of those books I would want to take with me to a desert island. It is the ultimate bildungsroman, a perfect coming-of-age story. I absolutely love how Alexander takes all of Taran’s notions about heroism and honor and glory and turns them on their heads – and then how Taran has to do all that he dreamed about as a boy, only it has lost its appeal, and he wishes to be a simple Assistant Pig-Keeper again. I also appreciate how the one thing he wanted to be the most he couldn’t quite master – because isn’t that how life really is? We don’t always get to live out our dreams; sometimes we have to let go of what we want the most and accept what life gives us instead.

As for Fflewddur, he is just a delight to read about. His tendency to stretch the truth because reality is so dull, his valor and nobility, his boredom with being king of such a well-run kingdom … such a joy!

Eustace Scrubb (CS Lewis):

Don’t get me wrong, I like Peter, Edmund, Digory, Caspian, Rilian, and Tirian as well – but Eustace tops them all. Perhaps because he is such an Everyman – we can’t all identify with High King Peter the Magnificent, or King Caspian the Seafarer, etc, but who hasn’t been an obnoxious jerk at some point in their lives? And to be redeemed from that so beautifully – not to a kingship, as with Edmund’s redemption, but simply to living a better life as Eustace – is wonderful to read.

And, I like his practical outlook on life, and his occasional snarkiness even after he is un-dragoned.

Martin the Warrior (Brian Jacques):

We had Mariel among the heroines, and now Martin for the heroes. Martin is everything a hero should be – brave despite his small stature; noble; loyal; true-hearted … he even has a secret sorrow from his past! His friendship with Gonff the Prince of Mousethieves is one of my favorite friendships in all literature (even better than Sam and Frodo, because there’s no nonsense about master/servant between Martin and Gonff). Martin leaves a legacy that carries Redwall through every danger and strife. He may be a mouse, but he has the heart of a lion!

Roger Hamley (Elizabeth Gaskell):

Roger Hamley is another one of those characters I wistfully wish was real. Although he does remind me of my husband in many ways … ahem. He is good and kind; he is loyal and faithful; he is both gentle and strong; he sacrifices his own desires over and over again for the good of others. Along with Molly Gibson, the reader learns to love him gradually over the pages of Wives and Daughters, and I, at least, always wanted to shake him for his incredible stupidity in falling in love with the charming but shallow Cynthia instead of valiant and quiet Molly!

Gilbert Blythe (LM Montgomery):

For any girl who grew up reading and loving the Anne books, Gilbert Blythe automatically became her ideal beau (I think – at least I’ve never met anyone who loves Anne and not Gilbert). Despite the fact that Montgomery doesn’t, in fact, flesh his character out very much beyond the first book, he remains one of literature’s best heroes. Anne’s House of Dreams is one of my favorite books of the series, not just because it introduces Leslie Moore, who is such a rich and full character, but because of the deeper glimpses we get into Gil’s character. The struggle he goes through in having to choose between the right thing and what his (and his wife’s) heart wants … he is truly a good man. And he loved Anne so faithfully for so many years, even when it looked like there was no hope – who could resist that?

Henry Tilney (Mr. Knightley) (Jane Austen):

Will I lose all credibility if I confess that I’ve always found Mr. Darcy rather stupid? I do, however, positively adore Henry Tilney. His sense of humor, the fact that he is not above teasing Cathy, his close friendship with his sister, his sense of honor and duty … he is a real, three-dimensional person, and a fun one, at that.

Mr. Knightley is on here both for his goodness (he is a true gentleman) and for the fact that his love does not blind him to the flaws of his beloved. In fact, he loves her so much that he has to do everything he can to help her become the very best person she can be, even if she never loves him in return. That didn’t sound very romantic to me as a kid, but now? Swoon.

Rush Melendy (Elizabeth Enright):

Rush is the ideal older brother, I’ve always thought. He almost always makes time for Randy, even when he is exasperated by her; he listens to her; he shares her same impetuous nature. Plus, when given a choice of anything to do by himself on a Saturday afternoon, he chooses to go see an opera. Siegried, no less, which brings back happy memories for me of staying up late on Sunday nights with my sister and parents to watch the Ring trilogy on PBS – my sister and I had never thought much of opera before then, but Wagner fascinated us. So I can identify with Rush there! I’ve also always like how he overcomes his reluctance to teach piano in order to raise money for the war (especially the unexpected outcome of his lessons with the school bully). He, like all of Enright’s characters, is a very human, very likable kid.

Will Stanton (Susan Cooper):

At age eleven, Will Stanton discovers he is not a normal mortal boy at all, but the last-born of the Old Ones, and is thus swept into a life of danger, adventure, and sorrow. Yet through it all, Will maintains his practical outlook on life, and his humanity even when he has to make the hard, cold choices. The Dark is Rising series is one of my long-time favorites, not just for the Arthurian thread that runs through it, but for Will himself. The youngest of a large family, friend to the Pendragon, quester for the Signs, nemesis of the Dark Rider … yet what makes him such a relatable hero is his utter normality through it all, the fact that you feel, but for the odd gift of being born an Old One, he could be anyone you know – the boy next door, maybe, or even you yourself. (And his attempts to learn the Welsh language always make me giggle, every time I read them!)

James Tarleton (Patricia C Wrede (and Caroline Stevermer):

In my heroines post, I mentioned how much I relate to Kate. Yet oddly enough, I see nothing of my husband in Thomas. Instead, he is very much a James. Almost everything about James makes me think of Carl, especially in The Grand Tour, when Kate is exhausted and weary and says how much she misses English toasted cheese, and James merely comments that she should get some rest, and then she’ll feel better. That is exactly the sort of thing Carl would do. Of course, Kate thinks about how glad she is that she isn’t married to James, as it would be very squelching to have a husband like that, but somehow, Carl and I get along just fine as we are.

Brother Cadfael (Hugh Beringar) (Ellis Peters):

I blame Brother Cadfael for giving me a romanticized view of monastic life in the medieval age. Not that Peters whitewashed anything (at least, I don’t think she did), but Brother Cadfael made being a monk seem AWESOME. You could have close communion with God and still have a hand in everything that happened in your corner of the world. Nothing happened without Cadfael knowing about it, and certainly his understanding of grace, hope, and love were advanced far beyond his day and age.

Hugh was of a different sort, but just as terrific. As under-sheriff and then sheriff, he recognized his liege’s flaws, yet stayed by him loyally. He upheld the law to the letter, and conveniently turned a blind eye to Cadfael when morality and justice didn’t quite match the law. He could not go against the law himself, but he could let his friend do so without a qualm. Cadfael and Hugh’s friendships is one of the best in all mystery literature, not least because it is most definitely not Holmes-and-Watson. Hugh is not the idiot sidekick, but a worthy detective and human being in his own right.

Wil Ohmsford (Terry Brooks):

The Elfstones of Shannara was the first Brooks I ever read. I got it from the library without ever having heard anything about Shannara or Terry Brooks; I picked it out based solely on the cover art and the fact that “elfstones” sounded really cool (I was young at the time!). Despite the fact that much of it was probably too old for me, I devoured it and loved it (the only other Shannara book our library had at the time was Druid of Shannara, which meant that for the next several years I bounced between both Shannara series, never knowing for sure which era each book I discovered was going to be set in, and getting completely confused until I had finally read all of them and could start setting them in order in my mind … proof of good writing, that I didn’t just give up out of frustration!). Wil, I liked not just for his part-human, part-elven heritage, which was a fairly new concept to me at the time and seemed very daring. It was his reluctance to do his part of the quest – not just because he didn’t think he was worthy (although that was part of it), but because he was morally opposed to what he was being asked to do (kill), and yet it was the only way to save the world, and he the only one to do it. That battle that he went through was what really drew me in, and what kept me coming back to the Shannara books even though I could never keep straight who went where and what happened when!

Well, that wasn’t quite so lengthy as the heroines. As with last week, which ones do you agree with, which ones would you have left off the list, and who would you add?

Next week, I think, will be favorite literary families (which will most likely be a much shorter list). Will your favorite be on it?

characters, favorites, heroines

Favorite Literary Heroines

I’ve been seeing a few posts around the blog-o-sphere lately compiling a list of people’s favorite heroes, heroines, couples, families, you name it. Well, thought I, I have my favorites too. Why not share? I was only going to do ten, but I found I just couldn’t cut it past twelve (plus a few who are so closely connected to each other I just put them in the same entry).

Ready? Here goes!


Eilonwy, Princess of Llyr (Lloyd Alexander):

When I think of favorite literary heroines, Eilonwy is the first to come to mind. Which is appropriate, really, as I cannot imagine the outspoken princess ever taking second place to anyone, for any reason. If I tried, I am sure her response would be, “Louise of Bates House, I am not speaking to you!”

Eilonwy is delightful for so many reasons. She’s spunky. She doesn’t sit around and wait to be rescued – in fact, she is quite often the one doing the rescuing. She tells the hero exactly what he needs to hear, and never pampers his ego. She is brave and strong, but realistic, too – she is frightened at times, and mourns the losses of those she loves. She can be unexpectedly kind, too, which is a nice trait in a heroine.

She can use magic, but gives it up to fulfill a greater destiny. She can ride and fight and quest (though I have to wonder how and where she found armor and weapons to fit her small stature in The High King). And though she is beautiful, she is happiest when dressed in practical, comfortable clothing, and doesn’t really care about her appearance at all. Ah, Eilonwy. If and when my girls get to the “princess” stage, I am going to encourage them to be a princess like you!

Mara Jade (Mirax Terrik) (Timothy Zahn and Michael A Stackpole):

These two might strike some as a little odd (or at the very least, they show my geek side), as they both come from the Star Wars Extended Universe novels. The beautiful and deadly Mara’s first appearance is in the Thrawn trilogy, while Mirax and her smuggler’s ship Pulsar Skate grace the pages of the X-Wing series. I love them both.

Not just because they get to fly (and fight) circles around the boys of the Star Wars universe. Not just because they, along with Leia and some others, provide great heroes for the females of this world who happen to like Star Wars (there are more of us out there than many realize). Not just because they are both beautiful and smart.

It’s for all of these reasons, and a few others. They are strong and brave, and yet still vulnerable at times and in places. They aren’t perfect. Mara is about as flawed as you can get, but she fights to become better, to overcome the tragedies in her past. She doesn’t wallow. They neither of them are all about the angst – they are much more apt to go blow something up instead of burst into tears.

That’s my kind of heroine.

Anne Shirley (LM Montgomery):

Is there any little girl who didn’t grow up loving Anne? (Aside from little girls who grew up on PEI and had her shoved down their throats so much they can’t stand her – I’m thinking of you, Andrea!) she was an orphan. She had red hair. She was spunky and smart. She had a ferocious temper. She lived on a beautiful, magical island with two wonderful guardians. She had an amazing imagination. She got into, and out of, scrapes with charming regularity. She had a best friend who adored her. She chased her dreams and found them. She had Gilbert Blythe. Need I say more?

Miranda “Randy” Melendy (Elizabeth Enright):

Thimble Summer is the best known of Enright’s books, and I do like Garnet of the long wheat-colored braids; I have also always been tremendously fond of Portia from the Gone-Away books. Randy, though … possibly because she is in four books instead of one or two … Randy has always had a special spot in my heart.

She is the second-youngest in a family of four. Her older sister Mona is beautiful and poised, a talented actress. Rush, one step above Randy, is a brilliant mathematician and remarkable pianist. Randy? She likes to draw and dance, but she always feels inadequate in her older siblings’ shadows. Yet she doesn’t mope about it – for the most part, she just admires them intensely, and pursues her own path.

I always felt like my older sister was good at everything, while I was just the clumsy little sister (just like Randy – although I never fell out of a boat in Central Park, or ran my bike into the back of a bus) (I have, however, sprained my ankle ice skating). Like Randy, though, I tried not to let it affect me too much; my parents always told me to focus on what I liked, instead of always thinking my sister could do it better. Which explains the writing!

I think Enright’s illustrations also affected my fondness for Randy. That mop of curly dark hair, especially when she’s leaping and pirouetting, that snub nose … she just looks delightful. More than that, she looks like the kind of girl I would have wanted for a best friend when I was ten and eleven. What more could you ask from a heroine?

Anthea (Bobbie) (E. Nesbit):

I have searched and searched, but I can’t find Anthea’s last name anywhere. She is the second-oldest of the Five Children and It children, whom I first met, actually, in The Phoenix and the Carpet. Nicknamed “Panther” by her siblings, Anthea is smart, kind, practical, and thoughtful. One of my favorite parts of Phoenix is when the carpet has taken the Lamb away, and Anthea makes Cyril hit her hand with the poker so she has an excuse for her tears when she goes up to Mummy’s room. Bravery, practicality, self-sacrifice – all in one simple scene.

Bobbie from The Railway Children is the same sort. When she find out by accident what happened to her father, she joins forces with her mother to keep the secret from the younger ones. When she wistfully wishes to the injured Jim that she was a boy, he reassures her that she is just fine as she is (did anyone else want the two of them to get married when they grew up?). And that final scene where she sees her father coming off the train and runs to him … I havenever been able to read that without sobbing desperately. Oh yes, I love Bobbie.

Elizabeth Warrington “Betsy” (or Betsye or Bettina) Ray (Maud Hart Lovelace):

Betsy is a bit like Anne to me – how can you not love her? It always saddens me to hear of people who did not grow up with Betsy, Tacy, and Tib. I’ve always appreciated so much that Lovelace takes us from when Betsy is five all the way to when she’s a young bride. I grew up right along with Betsy and the Crowd, and they were all so real to me, from mischievous Winona to demure Carney to gallant Cab to that idiot Phil Brandish. And Joe, of course! Betsy and Joe are one of my all-time favorite book romances.

Betsy is a writer, and wrote from the time she was a child (just like me!). She was also a thoroughly normal girl, concerned about her looks, her popularity, BOYS, family, being a better friend and person … I first read about her struggles and triumphs as a newlywed when Iwas a newlywed, and I felt like finally, I wasn’t alone in trying to figure out all this living-with-another-person business!

Plus, she lived during one of my favorite time periods in history. Her clothes … oh, I’ve always been so grateful to Lovelace for providing such rich detail of what it was like to live back then!

Mariel Gullwhacker (Brian Jacques):

What’s that? You weren’t expecting to find a mouse on this list? Silly you! Mariel whacks gulls and searats and all sorts of vermin. She doesn’t ask for pretty compliments, but if you don’t show her respect you just might fight a knotted rope between your ears! She is as brave as a badger and loves her father beyond all reason. She is my kind of mouse!

Anne Elliot (Jane Austen):

I like Elizabeth Bennet, but my absolute favorite of Austen’s heroines is Anne Elliot ofPersuasion. Not impossibly good, like Fanny of Mansfield Park, but steadfast, noble, and quietly brave. She has one of the finest characters in all literature – truly someone to aspire toward! Persuasion is my favorite Austen novel (with Emma a close second), and Anne is the main reason.

Well, Anne and Lyme. Someday I will travel to England and visit Lyme!

Elizabeth Ann “Betsy” (Dorothy Canfield Fisher):

Another Betsy makes the list! This one from Understood Betsy, one of my favorite childhood books. She starts out horribly smothered, but by partway through, Betsy becomes another one of those strong heroines I love so well. Her resourcefulness is what really draws me to her, though – her constant question of “What would Cousin Ann do?” and then figuring out the best solution to her problem – so remarkable! How she rescues little Molly from the Wolf Pit … how she learns to overcome her math phobia (oh, how well I empathized with her difficulties there!) … her plan for helping the little boy at school get adopted … most especially how she figures out how to get herself and Molly home from the fair after they’ve been abandoned there. At only ten years old, no less!

My mother’s family is from Vermont, and so I think I was drawn to Betsy even more because she went to live on a farm in Vermont. Reading descriptions of the old farmhouse made me think of my great-grandparents’ home, which in turn always made me feel cozy and comfortable while reading Betsy’s exploits.

Kate, Lady Schofield (Caroline Stevermer (and Patricia C Wrede)):

The Cecy and Kate books, though I didn’t discover them until after I was married, have become some of my all-time favorite YA lit. I suspect, had I read them when I was a teen, Cecy would have been my favorite. Her impulsive behavior, her “we must do something” attitude, her not-always-justified self-confidence … all traits that would have appealed greatly to my teenage (or younger) self.

As an adult, however, I found myself empathizing much more with the more cautious and clumsy Kate. Oh, especially her clumsiness! The fact that she never feels herself adequate for anything until the crisis comes, at which point she stops thinking about herself entirely and simply does what is necessary reminds me, in my most honest moments, so much of myself. When she doesn’t care one whit about what people think about her, but panics over the thought of disappointing her husband or damaging his reputation? Oh yes, all me. Yet she always, always rises to the occasion, which is not so much me but what I want to be.

Curiously enough, though, the man I married is more a James than a Thomas … but that’s a topic for another post!

Tuppence Beresford (Agatha Christie):

Thanks to my mother, I began my love affair with Christie’s books at age twelve. Poirot, naturally, was my favorite at first … until I met Tommy and Tuppence.

Dear, terrier-like Tuppence, with her good instincts and plans that should never work yet somehow always do? She delights me. As detectives go, Miss Marple is now probably my favorite of all time, yet Tuppence still remains one of my favorite heroines, simply for her outlook on life. And I love the fact that she and Tommy look upon their marriage as a great adventure, and a joint partnership. That’s the kind of mentality Carl and I have always tried to have for our marriage!

Lucy Pevensie (Tarkheena Aravis and Jill Pole) (CS Lewis):

I could not – could not – just pick one favorite from Narnia! I know many people don’t think Lewis was very fair in his treatment of women in Narnia, but these three have been examples of bravery, spunk, determination, faith, and strength since I was a very little girl. Valiant and loving Lucy, wood-wise and independent Jill, fearless and honest Aravis … Lucy follows her heart when no one else believes; Jill travels through bleak lands to rescue a prince and fights by the side of a king; Aravis leaves privilege, comfort, and everything she knows for a life of freedom. I would be proud to call any of these three strong girls friend!

Whew! This turned out to be longer than I expected … and I’m sure, as soon as I hit “publish,” I’ll think of more I should have added. Oh well!

Next up with be my top twelve favorite literary heroes. Ooh …

Did your favorite heroines make the list? Who would you have included that I didn’t? Who would you have left off? Opinions welcome, the stronger the better!