It’s one of the most common topic of discussion for YA and MG fantasy – what to do about the parents?
The orphaned hero is become so cliched that people do tend to roll their eyes automatically when they see it, but writers seem to be left with little choice – either create some elaborate scheme to have the parents out of the picture, or just kill them off, because if the parents are around, much of the tension for the young protagonist is removed.
Oddly enough, I’m not a huge fan of that whole “remove the parents” idea, though. I know that it’s mostly because I am a parent now. But it’s also because while it makes it trickier for the protagonist to be the one driving the story, it also adds another level of tension – how does one go about having magical adventures when one’s mother is right there reminding one to keep safe and be smart? And what does a mother (or father) do when adventure finds one’s child – go with the natural instinct to protect one’s kid, or stay in the background and allow the kid to learn through experience?
These are the sorts of themes I really do enjoy seeing played out in books.
Edward Eager and E. Nesbit both handle parental presence well in their books. Usually, the parents are completely unaware of magic, and that unawareness becomes in itself another obstacle – the mother in Half Magic thinks she’s going mad because of all the magic she’s witnessing; Anthea has to go to extreme measures to hide from her mother that the magic carpet took the baby away in The Phoenix and the Carpet; Granny gets her hands on the magic book in Seven-Day Magic and leads the children on a madcap adventure they can’t escape until they get the book back, because she thinks she’s just dreaming … and so on and so forth. My favorite Eager parents, though, are Martha and Katharine, both of whom had magical adventures when they were children, and aren’t afraid to set their children straight when it comes to magic. And in The Time Garden, when the children travel back in time and end up in one of their parents’ magical adventures, and have to rescue them, it gets thoroughly delightful (side note: I wonder at what point in time did Martha, Katharine, Jane and Mark look at each other and realize, “OH! Those strange children from our desert island adventure that time – those were OUR KIDS”?) and mayhem-y.
I read a duology recently where the daughter was kidnapped to a magical realm to help free her father from a spell there, and the mother went back voluntarily to rescue the daughter. I thought the concept was fabulous, except in execution, the mother spent most of her time as a prisoner in the palace, dithering about what was best to do, while the daughter escaped her kidnappers and had wild piratical adventures while on her way to rescue her father. It was a bit of a disappointment, because I really, really wanted to see a YA book that had an equally strong mother and daughter – in the same place but separated, both having awesome adventures.
I guess maybe someday I’ll just have to write that story myself.
What are some good example you can think of for parental inclusion in YA or MG adventures? Do you prefer to read stories where the children have to work with or around the parents, or where the parents just aren’t there at all? Would you want to read a story that features both kids AND adults being awesome?