I’ve been reading through Elizabeth Enright’s books lately – just finished the Melendy quartet, and am waiting for my paperback editions of Gone-Away Lake and Return to Gone-Away (I
stole borrowed my mother’s old, old hardcover editions when I moved away from home, but they are so old that they’re starting to crumble, so I decided to pick up some cheaper paperbacks to read without having to wear white gloves) to get here on Monday so I can go through those, as well. Then there’s Thimble Summer to be read somewhere in there as well.
So, with this being my book diet lately, you can imagine my delight yesterday, when the kids and I were out enjoying the sunshine down by the pond, to see three little boys half-hidden in the bracken and murk on the other side. It looked like they were building either a fort or a raft, chattering away as they did so, busy as beavers and happy as could be. I couldn’t have conjured up a scene more perfectly reminiscent of Enright’s worlds if I’d tried.
I’ve read some reviews that accuse her books of being too sweet, too saccharine, too unrealistic in their portrayal of children and the world. Nonsense, I say! Simple and wholesome, yes, but not impossible. Her children aren’t “little dears” who are sugary sweet and live in a ridiculously perfect world. In fact, they remind me a lot of myself as a kid – imperfect people, living in an imperfect world, but filled with the joy of just being alive, and being a kid.
So I was extra glad yesterday, on a day of glorious, perfect spring, a day that made me want to sing along with all the birds and turn cartwheels if I knew how, to see that childhood, to a certain extent, remains the same throughout all generations.