I think I’ve mentioned before that I’m more of an audible reader/writer – I don’t tend to visualize stories as I read them/write them. I hear them in my head, instead (one reason why I rarely bother to read to stories aloud when I’m editing them. Since I hear it as I write it, reading aloud is redundant).
This means that I tend to write my characters all in “white space.” I’ve had to train myself to write in background details for scenes, so that my characters aren’t all talking heads.
This also means that when I placed my sci-fi novella-turned-novel From the Shadows on a futuristic spaceship, I didn’t bother visualizing how the spaceship would look, its design, or anything beyond a vague “sleek and shiny.”
I knew I would need to get more detailed at some point, but when Amanda and I were discussing elements for the cover and decided that it needed an image of the ship on it somewhere, I had to buckle down and figure out exactly what it looked like.
This led to figuring out logistics as well, what parts of the ship did what, and a rough sketch of the outline to send to Amanda so she could see what I had imagined.
Somewhat to my surprise, it was fun, sketching it and plotting it and detailing it. (I have a rough plan of the inside layout of the ship, too, but that isn’t even close to fit for other people to see – I need to polish it up.) And it has helped with the writing, as well – knowing what the setting looks like in my mind helps me to unconsciously write more natural details into the scenes and keep the characters from being the talking heads I veer toward so naturally.
I’ve been toying with the idea of once in a while sketching out scenes from my books now, in hopes that it strengthens my ability to be a visual as well as auditory writer, and that it makes for more detailed writing and a fuller experience for the readers.
(Also, it makes me wicked excited to see how Amanda incorporates the ship into the cover art.)