1920s, Books, fantasy, fiction, mystery, publishing, reading list, stories, writing

New Book!

Friends, I am so excited to be able to share this news with you. Not only is the next Pauline Gray novella being released this autumn/winter, coming on November 2 is a new Whitney & Davies story!

I’ll be releasing more info about it soon, including the cover and back blurb, but for now I can tell you that it is a Christmas story, novella-length (I originally conceived it as a short story, but, well, it grew), featuring Maia and Len, and it is set between Magic Most Deadly and Glamours and Gunshots.

The title is While Shepherds Watch, and here is at least a little teaser of the cover:

So set your calendars for Nov 2!

I hope to be able to set this up for pre-orders this week, so that you can be extra sure to get yours in time for Christmas, and if I am able to do that I will let you know. Stay tuned for paperback info, a full cover reveal, and the back blurb soon!

And be sure to check in later this month for info about the third Pauline Gray novella’s release date! All kinds of exciting stuff happening here at StarDance Press this season.

Books, fantasy, fiction, reading list

Epic Science Fiction/Fantasy Sale

I am taking a small break from my focus on Pauline Gray (I have now entered the editing phase of Book 3!) to let you all know of a fabulous science fiction/fantasy sale happening over these next seven days! This sale features SFF books that have been personally recommended by various readers, book bloggers, and authors as a story that they personally loved. There are over 50 books on the list, and all of them on sale for $0.99!

Not only are there a bunch of books here that I am eager to try, I am happy to say that Glamours & Gunshots is one of the recommended books. Yes! For this week only, you can purchase Glamours & Gunshots for $0.99!

Maia Whitney has held men as they died before, but never in peacetime, and never in her aunt’s front hall. And this unexpected death is only the beginning. Someone is stealing magic and life from England’s magicians and using them for his or her own gain. No one is safe, not even Magical Intelligence Agent Lennox Davies, whose targeting by the parasite brings him his own set of challenges to work through. Though she is only an apprentice, Maia will not sit back and wait for others to bring about justice, and teams up with Len as she did once before. Using a blend of magical skills and detective work, together Maia and Len dig deep into a case that has its roots buried in the shadows of the past … and could leave one of them magic-less forever.

Glamours & Gunshots was one of my most challenging books to write–sequels are never easy, and this one seemed particularly recalcitrant, going through several different iterations before at last coming together in its final form. I was all the prouder of it for that very reason when I was finally able to publish it. It also has one of my favorite scenes I’ve ever written in any story–but I won’t tell you which scene that is. Feel free to guess in the comments if you’ve read it!

This is my first time participating in a sale with other SFF authors, and it’s pretty great seeing G&G up there on the list with all those other titles. I can’t wait to check out all my new reading material, and I hope you find many to enjoy as well!

So go ahead, visit the sale page, and stock up your e-reader! What are you waiting for?

1920s, fantasy, goals, mystery, publishing, Sci-fi, writing

Organizing Projects

If you’ve spent any time at this blog at all, or even if you wandered here wanting to learn more about my other writings after reading one of my stories, you probably know that I have three “universes” I mainly write in: The Whitney and Davies universe, aka Golden Age Detective Fantasy, aka Whodunnit Fantasy, aka Agatha Christie with magic; what I call the Caledonia universe, or the setting for From the Shadows; and the Pauline Gray historical mysteries, no magic at all.

I currently have projects in mind for all of these universes, and choosing between them for what to work on next can be almost as much of a challenge as the writing itself–or at the very least, a distraction from actually doing the writing. So I thought I might toss the options out there and see if there’s a preference from readers as to what project I turn the majority of my attention to first. So far my plan of “write whichever one strikes my fancy at the moment” has resulted in a pile of unfinished drafts, shockingly enough. (I KNOW. Who would have thought?)

The first question, then, is: which universe are you most eager to read another story in?

  • Whitney & Davies
  • Caledonia
  • Pauline Gray

After that, it gets a little more complex.

For Pauline, the options are fairly straightforward: the next installment of the series. Actually, that’s not “fairly” straightforward, that’s completely straightforward, and it’s not even “options,” it’s one choice: the next novella.

For Caledonia, I think it would look like a long short story that works as an interlude between the events of the first novel and the events of the next, followed by said next novel. It is possible that I might be able to jump right into the next novel without the interlude, but the way things stand for story development right now that would leave a gap between the stories, and so I think we really do need that bridge.

In the W&D universe, the choices are:

  • Another collection of short stories, this time mostly featuring Maia, Len, Gwen, and Becket
  • A one-off novella or long short story set in the same world but featuring entirely different characters
  • The next novel in the series

My instinct here is to get the next novel out there, but I don’t know, are people interested enough in the short stories that they would be a nice filler between novels? Is the novella something only I would be interested in? Would readers like the occasional short story in between novels but not necessarily an entire collection of them?

So these are the questions I am asking you all to answer: what do you want to see next from me–the next Pauline Gray novella; the continuation of Riss’s story; the next W&D novel; a short story or stories around W&D, or a novella set in their world but featuring different characters? Feel free to answer with only one option or with putting your choices in order of what you want most to read down to least.

As I shuffling off the responsibility of organizing my work onto my readers? Yes, I absolutely am. Do I feel guilt over this? Nope, not a bit.

Let me know in the comments, or send me an email if you’d rather keep it private! Also feel free to let me know some of what you hope to see from any or all of these universes by way of long-term storytelling. I know what my ideas are for the futures of these stories, but what are yours? Let’s chat!

1920s, publishing, writing

Rabbit Trails and Sub-Genres

Between the previous post, FB, Twitter, Tumblr, and in-person conversations, the votes for “Golden Age Detective Fantasy” and “Whodunit Fantasy” are split pretty much evenly, with one extra suggestion of “Roaring ’20s Detective Fantasy.” So I still haven’t come to a conclusion as to what name I should coin for this specific sub-genre of “detective fiction in the style of Christie, Sayers, Allingham, etc, with a splash of magic.”

The points for “Golden Age Detective Fantasy”:

  • Evocative
  • Specific
  • Intriguing even for readers who aren’t familiar with mystery sub-genres
  • Sounds more alluring than Whodunit Fantasy

Points for “Whodunit Fantasy”:

  • Short and snappy
  • Easily understood even if readers aren’t familiar with mystery sub-genres
  • Covers more ground than Golden Age Detective Fantasy
  • Since “Golden Age Detective Fiction” is technically only used for authors who were writing during that between-wars era, Whodunit Fantasy is a more correct name

How’s a poor hapless author to decide? I know it doesn’t matter in the grand scheme of things, but it would be nice to have a name to put on back copy and on the series page of the website. I’m still mulling it over!

In other writing news, I’ve had a great deal of fun recently concocting a magical wardrobe for Maia created in-story by Helen. There are practical aspects: dresses that fold to no larger than a handkerchief, and when unfolded are wrinkle free! Dresses with pockets that can hold more than a handbag and yet don’t alter the line of the dress! Then there are the decorative aspects: embroidery that literally sparkles; the ability to alter a hemline or neckline or change the sleeves from long to short with simply the correct word to release the spell.

I try not to go too overboard describing clothing in the books, because too many details can take a reader right out of the story, but it is sooo tempting when I have so many wonderful options to use as inspiration!

This is a fantastic demonstration of a dress that a clever magician could create to change from a day dress to a dinner dress with one snap.
I think Maia is definitely the type to wear a cape, don’t you? Even if she secretly feels it is a bit over-the-top, she just can’t resist the swoop and swish of it. And the dress beneath is practical enough even for her.
The green frock here is very close to one I just had Helen create for Maia–except hers has more embroidery, and the floaty bits at shoulders and hip are gold rather than green. I love it, and I wish I could have one myself!

This is just a tiny sampling of the patterns I’ve been drooling over these last couple of weeks. If my next blog post sheepishly admits that I broke down and made myself a 1920s dress, you’ll know why. I can justify it all as research, right?

If you are an author, what sort of fun rabbit trails does your research tend to take you down? If you are a reader, what bits of extra detail are your favorite to read about in a story? And for both parties, if you haven’t already, please weigh in on whether you prefer “Golden Age Detective Fantasy” or “Whodunit Fantasy”!

1920s, Books, fantasy, fiction, mystery, publishing, stories, writing

Categories and Genres

Genre, sub-genre, categories … when trying to find a home for a story on the shelves of a bookstore or library, the options can sometimes seem overwhelming. Is this fantasy or science fiction? Historical mystery, cozy mystery, or some other type of mystery altogether? Thriller or adventure? Memoir or autobiography?

This is made even more difficult when you have an author who likes to cross two or more genres in one book. And yes, I’m talking about myself and the Whitney & Davies series here. Since the beginning, these books have been hard to categorize. Do they go on the fantasy shelf or the mystery shelf? (One local library solved the puzzle by sticking Magic Most Deadly on the “fiction” shelf–going more generic instead of less, I guess!) It wouldn’t matter so much, aside from causing headaches to librarians and bookstore owners, except that muddled categories can make it difficult for readers to understand what sort of book they are looking at, and thus make them less likely to pick it up and read.

The basic premise of the Whitney & Davies series–taking an already-existing genre and adding a magical twist to it–is not unique to me. My first exposure to the concept was with Patricia C. Wrede and Caroline Stevermer’s marvelous fantasy of manners Sorcery and Cecilia or The Enchanted Chocolate Pot. Other well-known Regency fantasies are Mary Robinette Kowal’s Glamourist Histories, and of course Susanna Clarke’s Jonathan Strange and Mr Norrell.

Then there’s the “gaslamp” or “gaslight” fantasies, which take the same idea and place it in a Victorian or Edwardian England setting. Gail Carriger’s Parasol Protectorate series would likely fall into this category, as well as Marie Brennan’s Memoirs of Lady Trent.

However, I’ve not yet found anyone besides myself taking Golden Age Detective Fiction and inserting fantasy into that, and I’ve been racking my brains for ages now trying to coin a phrase to neatly sum up this sub-genre to make it clear from one glance what type of a story the reader is getting. “Mystery-fantasy set in 1920s England” is, let’s face it, way too clunky.

I’ve narrowed it down to two options, although I am open to suggestions for something else! I like “Golden Age Detective Fiction” for its descriptiveness, but on the other hand it is still long and a little bit clunky. Then there’s the short and snappy “Whodunit Fantasy,” but the downside to that one is that it doesn’t necessarily convey the sense of time and place–between wars in England–that the other does.

So I am tossing the choices out there for my readers! Which do you prefer? Which one conveys the feel of Whitney & Davies best to you? And if you haven’t read my books yet, you may still feel free to comment–I’d like to know what type of story you think of when you see either of those two categories.

I would also be curious to know if you have any comparison books or series that come to your mind when thinking of W&D–you know, the old, “If you like _____, you will like Whitney & Davies.” The closest I’ve come up with is Martha Wells’ Death of the Necromancer, and I’m not exactly sure that’s the best match. I think that’s the sort of thing that is difficult for an author to judge about his or her own work, especially when one of the main reasons for writing the books is that no one else out there is!

influences, Life Talk, stories, writing

Community

In my most recent blog post, I spoke about the defaults I revert to when writing characters. Today I’ve been thinking about one of my other storytelling defaults, which is the importance of community.

Fountains Abbey, in Yorkshire. The monks who built this place knew more than a little about the importance of community.

I was going to say that this theme shows itself most strongly in From the Shadows, but then I thought, No, actually it comes out most strongly in the Pauline Gray series, and then I dithered about it for a while before realizing hey, it doesn’t have to be a competition. So let’s simply look at the three different worlds I’ve built and see the way community plays out in each, without holding one against another, shall we?

First up, From the Shadows. On the surface, it looks like the main problem of the book for our protagonist, Riss, is that she’s stuck on a spaceship in the future with no way to get home. But actually, as the story develops, we see–and Riss learns along with us–that her real problem is her deep, unsatisfied need to be part of a community where she is valued both for her own self and for her gifts. The community aboard the Caledonia is a close, tight-knit, self-contained group, and Riss’s struggle to figure out if she could belong there is really what makes up the heart of the story.

Then there’s Pauline Gray. The need to find and/or build community doesn’t play as active a role in Pauline’s stories, but the community of a small, rural town in the midst of the Depression is the firm backbone of the series. This is a place where the people look out for each other, and even if they don’t like each other very much, they come together in difficult times to do what needs to be done. That’s why murder is such a shattering thing each time it happens in Pauline’s world–because it tears apart the fabric of the community, and it breaks the unspoken trust that people have in their neighbors. Pauline is less aware than Riss of her need for community, but she feels the tearing of it even if she is not aware that’s what the problem is.

Well, what about Whitney and Davies? I will admit the theme of community isn’t quite so strong in these books as it is in the others I’ve already mentioned–but it is there. In Magic Most Deadly, Maia’s discovery of magic allows her to enter into the community of magicians, and in Glamours & Gunshots she starts to figure out what she wants her role in that community to be. Len, meanwhile, is moving out of the community he’s always been part of and searching for a new one, one where he doesn’t always have to hide who he is and what he does. Together, they are forming their own microcosm of a community and seeking ways to serve the larger community at the same time.

When I was younger, I was pretty oblivious to the human need to exist within a community, but the older I get, the more I value it. I’ve lived in places without any sort of community–was a young mother in some of them, which I 100% do not recommend–lived in others where there ought to have been community and wasn’t, and hardest of all to endure, lived in some places where they was a community and I was on the outside of it. Those experiences have all shaped my own deep desire to be an active and valued member of a community. Not a selfish wish to be part of some hidden “inner circle”–like Mark in C.S. Lewis’s That Hideous Strength–that’s when community turns into a clique, and is one of the ugliest things in the world. But a genuine community, where people look out for each other and take care of each other and help each other out when needed, and everyone has something to give and everyone’s lives are woven together.

I don’t talk about politics on this blog, but it isn’t political to say this country is experiencing a deep division right now, a tearing apart of what we value and how we view the world and our place in it. There is a limit on how much each ordinary person can do to change that on a grand scale. But here’s what we can do: we can look out for our neighbors. We can take care of the vulnerable in our towns, villages, and counties. We can cut down that limb from the tree in our yard that is threatening to fall on the next-door neighbor’s house. We can thank our town officials for their hard work during this election season. We can buy a coffee for the guy (6 feet) behind us in line at the local bakery, just because. We can make a meal for the new parents down the street. We can encourage our kids to talk to the outsider at school, the one shy kid who always stands in the corner and can’t seem to believe that anyone would want to be their friend.

Community doesn’t exist simply by a group of people living in close proximity to each other or being part of the same activities. It comes about when people commit to caring for one another, to seeing each other, to not living as though others don’t matter.

That’s a message I keep needing to tell my heart, which is probably why it keeps cropping up in my stories. Maybe you need the encouragement as well? Covid-19 has created a lot of loneliness for a lot of us, and made community something out of reach in many cases. I hear you–moving to a new place in the midst of a pandemic means it’s been awfully hard for our family to do anything toward finding a community. But it’s worth it to keep trying.

And if you can’t find it in real life right now, I hope you can find enough of a community in books to tide you over until you can.

Our seminary family–or part of it, at least. I didn’t think those years were that long ago, but boy do we all look young.
characters, heroines, influences, writing

Defaults

I don’t write fanfiction anymore (no time; too many original projects requiring my writing attention these days–I have FOUR stories in progress right now, three that I’m actively working on and one that’s on hold, and so, so many more just waiting for their turn), but I do still find myself imagining fanfic-type stories just for fun, stories that won’t ever get written down. I was daydreaming this morning about an Emma sequel focusing on Emma’s daughter, and I automatically pegged her as a calm, sensible type, who starts out the story quite content with doing what everyone expects of her, and then her life gets stirred up and turned inside out when romance and excitement come her way without her ever wanting them.

Then I realized, wow, do I have a penchant for writing that sort of character or what? Going through my published books, we have:

Maia Whitney: So practical and sensible I had to rewrite her character several times to keep her from being utterly boring, and is in fact frequently dismissed by her family and even some of her friends as dull.

Pauline Gray: Practical and calm, solves murders because of her strong sense of justice but does not enjoy the excitement of them at all, in fact wishes she could hide away in a library somewhere researching something dull and safe.

Riss Waldon: Falls into a space opera, is immediately determined to enjoy it because what’s the point of an adventure if you spend your whole time panicking and trying to get out of it, continues to act sensibly through the entire thing because she can’t stand irrational behavior.

Going back through my old LMM fanfics, for original characters I have:

Meggie Blythe: starts out as a practical 10yo with a touch of dreaminess, ends as a young wife and mother who is still both practical and dreamy. (I loved Meggie with all my heart, but I can admit that she didn’t really get all that much character growth throughout that series of stories, nor did she have much in the way of flaws.)

Gwen Blake: impulsive and clumsy, but definitely grows throughout her stories into someone more practical and sensible, and always more on the common sense side of personality traits than the dreamy, romantic side. Much more Elinor than Marianne, basically.

Not to mention that the non-OCs I’ve written about are Jane Stuart, Shirley Blythe, and Diana Blythe, all canonically practical and down-to-earth.

Even looking at the short stories I’ve written, they tend heavily toward “ordinary, sensible person gets sucked from a boring, everyday life into adventure and then has to be the only level-headed person when everyone around him/her is mad.”

Which has led me to wonder if I can write a madcap adventurer. But, my creativity rises up in protest, I like sensible people getting dragged against their will into adventure! I don’t want to write about people who want adventure, that’s boring!

Ah well. Maybe someday the pendulum will swing about in the other direction. For now, practical characters it is!