Books, children, fiction, seasons

Childhood Eternal

I’ve been reading through Elizabeth Enright’s books lately – just finished the Melendy quartet, and am waiting for my paperback editions of Gone-Away Lake and Return to Gone-Away (I stole borrowed my mother’s old, old hardcover editions when I moved away from home, but they are so old that they’re starting to crumble, so I decided to pick up some cheaper paperbacks to read without having to wear white gloves) to get here on Monday so I can go through those, as well. Then there’s Thimble Summer to be read somewhere in there as well.

Then There Were Five

So, with this being my book diet lately, you can imagine my delight yesterday, when the kids and I were out enjoying the sunshine down by the pond, to see three little boys half-hidden in the bracken and murk on the other side. It looked like they were building either a fort or a raft, chattering away as they did so, busy as beavers and happy as could be. I couldn’t have conjured up a scene more perfectly reminiscent of Enright’s worlds if I’d tried.

The Saturdays

I’ve read some reviews that accuse her books of being too sweet, too saccharine, too unrealistic in their portrayal of children and the world. Nonsense, I say! Simple and wholesome, yes, but not impossible. Her children aren’t “little dears” who are sugary sweet and live in a ridiculously perfect world. In fact, they remind me a lot of myself as a kid – imperfect people, living in an imperfect world, but filled with the joy of just being alive, and being a kid.

Gone-Away Lake, illustrated by Beth & Joe Krush

So I was extra glad yesterday, on a day of glorious, perfect spring, a day that made me want to sing along with all the birds and turn cartwheels if I knew how, to see that childhood, to a certain extent, remains the same throughout all generations.

Thimble Summer
Books, fantasy, favorites, fiction, influences, reading list

Top Ten Unique Books

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1. Gaudy Night, Dorothy Sayers A detective story, a romance, a psychological novel, or something else entirely? I’ve never been able to make up my mind, but never have I read something so utterly unique and intriguing. I love this book.

2. Code Name Verity, Elizabeth Wein This one seems an obvious choice. A book one can’t even discuss without giving away crucial parts? Totally unique.

3. Jinx, Jinx’s Magic, Sage Blackwood At first glance, these seem like typical MG fantasies, with shades of Diana Wynne Jones, Lloyd Alexander, CS Lewis, (even Doctor Who!), and many others. But Jinx himself is such an unusual protagonist, a quiet, self-contained boy, enormously observant, often rude without realizing it, responsible yet frequently impulsive … I like to call these books quiet fantasy, which in no way takes away from their intensity. In fact, it might just increase it.

4. The Murder of Roger Ackroyd, Agatha Christie It’s not entirely unique, because after she wrote this many others have copied the same trick – even Christie herself managed to recreate it a few times – but she was the first to attempt such blatant trickery of the reader, and to do it in a way no one could even justifiably resent afterward. Genius.

5. The Rope Trick, Lloyd Alexander All of Alexander’s books are faintly reminiscent of each other, with similar character types popping up in all. The Rope Trick stands out, though, in that Lidi, the main protag, is not like most of his heroines. And I’ve certainly never read any other fantasy of this type that ends with (Spoiler!) all of them dead.

6. Emily of Deep Valley, Maud Hart Lovelace Oh, Emily. I’ve talked before about how much I love her. What makes this book truly unique, though, as well as contributing to its beauty and strength, are three things: (Spoilers ahead) Emily doesn’t marry her first crush; she doesn’t get to finally achieve her dream of going to college at the end; she is a quietly strong character, without a hint of feistiness. All three so very rare.

7. Winnie-the-Pooh, The House at Pooh Corner, AA Milne OK, random yes (although not if you know my household – we either listen to the audio books or have the hard copy lying around for anyone to browse through almost all the time, and Carl just finished reading them to the girls for bedtime stories AGAIN), but still. Have you ever read any other children’s book that is even remotely similar to these? That has humor for both adults and kids, that can suck you in whatever your age, that makes stuffed toys come so vividly alive? Good old Winnie-ther-Pooh.

8. Queen’s Thief series, Megan Whalen Turner Another obvious choice. I love these books, and even more do I love how MWT writes the books she wants to write, without worrying about conventions or expectations of the genre. These books are their own books, and they aren’t ashamed of that. (Because they’re AWESOME.)

9. Dark Lord of Derkholm, Diana Wynne Jones A rollicking, wickedly funny tear on traditional fantasy, this book, as with most DWJ, also manages to slide in some pretty sharp truths amidst the humor and nonsense. A book that both makes you laugh hysterically and catch your breath with its poignancy.

10. Wives and Daughters, Elizabeth Gaskell I include this mainly because of my husband. He’s not a fan of most Jane Austen movies, because he can tell right off the bat what’s going to happen, who is going to end up with who and why, and he finds the progression boring. W&D, however, he started out confidently predicting how it was going to end up, and then found himself confounded at every turn, and ended up truly loving it. So I say that makes it pretty unique in its genre! It also happens to be one of the only unfinished books I love and adore and don’t even care that it’s unfinished, so there’s also that.

And there you have my top ten! I am realizing there’s a great deal of overlap between all of my top ten books. Either that means I have a very narrow selection of books to choose between (possible, since although I read a lot, most books I forget about almost as soon as I finish), or that my favorite books are my favorites for good reason: they all share a lot of great qualities.

Head over to The Broke and the Bookish for more lists!

Books, favorites, fiction, influences

In Memorium

I have come to a conclusion that is important to me. I no longer believe that the momentum of a life headed in a worthwhile direction ends when that life does.

Jesmin Ackbar shot down five enemies, all of whom served evil men. Had she not done so, their actions would have led to further evil, but her actions take their place instead, broadening like a firebreak into the future theirs would have occupied.

Jesmin Ackbar saved hundreds of lives at Folor. Had she not done so, a bow wave of suffering would have rippled out from Folor, scarring survivors, leaving behind nothing but loss.

… I will never know how much good surrounding me is a legacy of Jesmin’s life. Her future will be invisible to me. But invisible is not the same as nonexistent.

-Aaron Allston, Wraith Squadron

Aaron Allston, author of the above words (and many more), died last week. The news hit me hard, especially coming as it did on the heels of a more personal, but equally unexpected, loss.

I loved Allston’s Star Wars X-Wing novels. I still love them. I sold the majority of my Star Wars novels several years ago, but I kept the ones by Allston, Michael Stackpole, and Timothy Zahn. Not only were they happy reminders of my younger days and my first genuine fandom, they were just really excellent books, Star Wars or no.

I had recently started following Allston on Twitter. He proved to be just as warm, funny, and engaging on social media as he appeared through his books, with pithy insights delivered as a rapier strike of wit, not a bludgeon of dogma.

I had so much respect for him, as a man and as an author, and his books did and do mean so much to me. I have been mourning him deeply, but today, reading his own words in Wraith Squadron, the pain eases slightly.

The good that he did is not finished. His life is ended but not over. His legacy continues in the countless lives he and his writing touched and will continue to touch. Because of that, he will never really be gone.

Wraith Squadron, Iron Fist, Solo Command, and my favorite of all, Starfighters of Adumar
Wraith Squadron, Iron Fist, Solo Command, and my favorite of all, Starfighters of Adumar
Books, characters, fiction, influences

TTT: Books That Make You Swoon

I usually let a few more days pass between posts, especially when my previous post was SHERLOCK!!!!!!!! … but once again, I couldn’t resist the topic.

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Books that make me swoon! I wasn’t sure at first if this was romantic swooning, or just “I adore this” swooning, or swooning over characters, or what. But I glanced at a few of the other posts, and it seems people are interpreting it however they wish, so I will too. Ha! It’ll be mostly “I adore this” swooning, but occasionally romantic swooning over characters as well.

1. Gaudy Night, Dorothy L Sayers It’s no secret that I am head-over-heels for Lord Peter Wimsey. Talk about swooning! But it’s this book, where the stormy relationship between Lord Peter and Harriet Vane comes to a conclusion, that gets me the most. Not just the characters, but the way they settle their struggles, and the overall relationship and respect between them. The scene at the river’s side? *Faint*

2. Rilla of Ingleside, LM Montgomery I don’t care so much about the romance in this one, though as a kid I always had a crush on Walter. But the sad goodbye to one era, the hopeful looking toward a new, the slow, sorrowful, strong growing-up of Rilla, has always made me very swoony over this book.

3. The Castle of Llyr, Lloyd Alexander Taran Wanderer is my favorite of the Prydain Chronicles, but this one is definitely the most swoon-worthy. A quest to save Eilonwy, who in the end has to make the most gut-wrenching choice to save those she loves. Ah … perfection.

4. North & South, Elizabeth Gaskell Margaret Hale. John Thornton. This book is incredible, you guys. The mini-series BBC did was pretty darn good, too. Richard Armitage as John Thornton? Please excuse me while I go faint quietly in the corner.

5. Persuasion, Jane Austen I adore Anne Elliot. Captain Wentworth’s letter is pretty much the best romantic gesture ever. The scene between Anne and Wentworth at the concert in Bath is one of my favorite scenes between two romantic leads I’ve ever read. I love this book.

6. King of Attolia, Megan Whalen Turner *Do not read this entry if you’ve not yet read the Queen’s Thief books. PLEASE. I’m as fond of spoilers as anyone, but don’t, don’t ruin this for yourself. Just trust me on this.* It’s not just the relationship between Gen and Irene that I love in this book (although that alone would be enough!). It’s the relationship between Gen and Costis. The relationship between Costis and Teleus. Between Teleus and Irene. Irene and Relius. Relius and Gen. So many relationship, you guys. And all of them heart-rending.

7. Howl’s Moving Castle, Diana Wynne Jones Sophie. I love Sophie, and I love Howl, and I love Sophie and Howl, and I love this book. Love, love, love.

8. Betsy’s Wedding, Maud Hart Lovelace This picture of the first few years of marriage between Betsy and Joe has always filled me with great joy. And them coming back from their honeymoon? Yes, definitely swoon-worthy.

9. Seaward, Susan Cooper Far less known than her Dark is Rising series, this book is eerie and lovely and sad, and just beautifully written.

10. Paladin of Souls, Lois McMaster Bujold ISTA. Ista is the best. I love Ista. I want to be Ista. Well, no, because her life was horrible, but her strength and courage and humor are amazing. And her romance, while secondary to her adventures, is highly satisfying.

There you have it! My top ten swoon-worthy books. Head over to The Broke and The Bookish to see what others picked!

fiction, humor, influences, philosophy, writing

Lowbrow

I remember reading Agatha Christie’s autobiography (which I looooooved and read in one day even though it’s non-fiction and it usually takes me MONTHS to read non-fiction) and being amused and a little taken aback at how casually she referred to herself, her writing, and her reading as “lowbrow.”

“Max is highbrow,” she says casually, of her second husband. “And I am decidedly lowbrow.” And then she goes on to detail all of their differences in taste, in a comfortable, matter-of-fact manner.

I read beautiful prose, writing that is definitely “highbrow” even when it is, say, MG fiction, and I think “Ooh, I wish I could write like that.”

But I’ve tried, and it’s ridiculous. Seriously, I can’t even read it myself without snickering.

I’m lowbrow. My writing’s never going to be considered great literature. No one’s going to talk about Tolstoy and Bates in the same category. I write for pleasure, for enjoyment, for fun, for a chance to put a smile on someone’s face. I hope, usually, to also sneak some Deep Themes underneath it all, but let’s face it, nobody’s reading Magic Most Deadly in hopes of finding out the Meaning of Life. And they aren’t going to find it even if they look.

In one of the Anne books by LM Montgomery, Anne and Gilbert are discussing their future goals. Gilbert has decided he wants to be a doctor, to fight disease and help people live better lives. Anne, though she knows wanting to help people and teach them is more noble, just wants to add some beauty to other people’s lives, to give them one or two moments of joy that they might not have had otherwise.

You know what? That honestly seems pretty noble to me. If that’s lowbrow, I’ll take it.

I don’t have to write Great Literature to bring joy to others. I just have to write joyously. And that I can do.

1920s, Books, characters, favorites, fiction, heroes, heroines, influences, publishing, research, world-building, writing

Truth

I recently read Emma Thompson’s charge against the current generation of film stars, how they don’t seem to believe enough in their work to promote it, and that if one loves what one does enough, one should be willing to shout it from the rooftops.

It hit home. Because I have been doing a terrible job of promoting Magic Most Deadly. Granted, it’s not because I don’t believe in it, but it’s fear of being found annoying or arrogant or pompous. Or who knows? Maybe it is a lack of self-confidence – not it the book, but in me. I’m not going to try to psycho-analyze myself too deeply here. I just know that, to do justice to my book, I need to be bold about it.

So, truth:

Magic Most Deadly is the best damn thing I’ve ever written. It’s not highbrow literature. It’s not everybody’s cup of tea. But it is a fun story, with characters who became very real and individual people to me throughout the writing, and with a twisty and entertaining plot. It’s my tribute to Dorothy Sayers and Agatha Christie and Lloyd Alexander and Brian Jacques and all those writers I’ve mentioned in every one of my “Influences” posts.

I loved writing it. I even enjoyed editing and polishing it. I researched the heck out of that thing, and even enjoyed that part. I grew as a writer (and a person, really) throughout its creation process.

It’s a great little book. And I hope everyone who likes mystery and fantasy and humor and English country houses and strong-minded heroines and a hero who respects that and a fussy, stubborn mentor in the background will pick up a copy and give it a read.

Not because I want to be rich and famous and everybody loves meeeeee and thinks I’m wonderful! But because I really, I honestly do, think you’ll enjoy it.

Magic Most Deadly. Get your tickets today.

(Did I do okay, Ms Thompson?)

characters, fiction, influences, writing

Getting My Groove On

Not exactly like this. Less leather pants, for one thing.

But I am slowly starting to get back into the groove of writing Wings of Song. It’s been tricky to switch from fantasy to everyday life stories, especially when my previous fantasy was so rooted in the real world. I kind of want to have dryads peeking out from around every corner and fauns popping in for tea with my ten-year-old protagonist. Which would be a lovely story! Just not this one that I’m telling right now.

It’s been tricky shifting my writing style again, too. Wings of Song is written in a very different style from Magic Most Deadly. I liken the type of story it is to LM Montgomery and Maud Hart Lovelace, Susan Coolidge and Miss Read. But it is really, really hard to write a story in that style without turning it treacly or preachy or just plain dull. All those writers? Geniuses. Me? Juuuust starting to really spread my writing wings and fly.

So it’s been hard, but it’s coming. My one character most given to pretentiousness and sententiousness I have made fully aware of his tendencies, and have given him a younger brother always cheerfully ready to wallop him when necessary to keep him from being a prig. I am stashing any fantasy ideas in a different notebook, ready to use in a different story in the future, possibly, but not interfering with this one. I’m trying to read more old-fashioned, “everyday” fiction to get a better feel for writing hopeful, fun stories without them turning soppy.

Above all, I’m just writing.

And in the end, that’s the important part.

(And I’m occasionally watching Kurt Browning in leather pants.)

1920s, Books, fiction, goals, philosophy, publishing, seasons, writing

Things Learned

Important news out of the way first:

Magic Most Deadly is now available through Nook, and the paperback version is available through Amazon. iTunes has proven … challenging, so I’m still working on that.

The Goodreads giveaway is still going – it’s open until the 10th, so go enter if you haven’t done so yet!

If anyone would like an autographed bookplate for Magic Most Deadly, just send me an email with your name and address, and I’ll send one to you, free of charge. If you want to send me your actual physical copy of the book to autograph, I’ll do that, too, but I’ll have to ask you to pay for the shipping on that.

So then! There’s the housekeeping done (if only real housekeeping could get taken care of that easily).

My first week of being a “Real Author” with a “Real Published Novel” has passed, and I’ve learned some important things.

1) I don’t like self-publishing for the sake of self-publishing. By which I mean, I understand and appreciate what self-publishing allows me to do. I do not like messing about with figuring out formatting, hunting for a cover designer (even when I find a good one!), uploading the book to each seller, marketing myself, etc.

There’s nothing wrong with any of those things. I just get frustrated with the time doing them well takes away from actual writing. I don’t have a whole lot of time to devote to writing as it is (okay, and I do waste some of it just because I am SO TIRED these days and so much of my free time is spent on cat naps or comfort reading), and I get twitchy when I have to sacrifice my writing time to business time.

It is a business, and I get that. I’m not complaining. But I felt it was a rather important discovery for myself – that I do the self-publishing because it is the best choice for me right now, but I don’t have to love it. I love what it does for me. I’m not crazy about the process. And that’s okay.

One of the other things I’ve learned is that even being a published author doesn’t change a whole lot in the grand scheme of things. Dishes still had to get washed, laundry still had to be done, schoolwork taken care of, meals made, friends visited with, insomnia dealt with, life lived.

On the other hand, accomplishing a goal you’ve held since second grade is pretty damn awesome even if it isn’t earth-shattering, and I’m not gonna lie. Last Monday, I felt more like a rock star than I ever have and likely ever will again.

(Unless my fairy godmother suddenly gives me the ability to skate at the level I’ve always dreamed of, and I get to join Stars on Ice. And Scott Hamilton, Kurt Browning, Torvill & Dean, and Kristi Yamaguchi are all in it again as well. So yeah, not likely to happen.)

The only other matter of interest from this week is that I finally broke down and joined Instagram. Yippee! I’m trying not to go too crazy with it.

How was this first week of October for all of you, friends?

Books, editing, fiction, Life Talk, reading list, school, writing

Dredging the Deep

Funny, when I had absolutely no time to blog, posts kept popping into my mind right and left. Now that I’m back to a regular schedule, the well (as I posted on FB) has run dry.

But look! Pretty photos!

Riding the carousel at Boston Commons
Riding the carousel at Boston Commons
Live music in the Public Gardens
Live music in the Public Gardens
We found the Mallard family!
We found the Mallard family!

Grace picking blueberries
Grace picking blueberries
Joy looking for the best berries
Joy looking for the best berries
Filled our baskets with blueberries, on to the blackberry patch!
Filled our baskets with blueberries, on to the blackberry patch!

 

We’ve been having Adventures.

We also survived our first week of school, and now I get to change the schedule completely since we’ve seen what does and doesn’t work. Namely, starting at 9:00 is not going to happen until the girls are able to make their beds in less than thirty minutes.

And I’m trying not to fret over this whole book cover thing. My biggest problem here is that what I want, I can’t afford and do not have the know-how to be able to do myself. What I can afford, or can figure out to do on my own, I don’t really like. This is a dilemma.

But! Luckily the extra time I’ve had to work on Magic Most Deadly has been useful, allowing me to go through it one more time and put in some extra tweaks to make it just a little bit better. Also it has allowed  me to put off formatting a bit longer, so hurrah!

(Sometimes I think I’m not really cut out for this indie path. But then I think about dealing with traditional publishers, and I think well, even these stresses are better than that.)

I’ve also been journaling almost every morning, and that has been good. I am also giving Anna Karenina a fourth try, and am halfway through (further than I’ve ever made it before) and seriously wondering why people love this book so much. Can anyone clue me in? I mean, I don’t hate it, but I don’t understand the great, deep passion so many have for it. And after I finish this, should I try War and Peace, or move on to Dostoevsky (and if so, which one)? So many questions.

In addition to all this, I’ve been grieving deeply over Syria, which doesn’t exactly inspire me to write fun, fluffy blog posts.

So. That’s a little bit of what life has been like for me this past week. How about you?